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Remembering Deborah Mitford...

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Those who love literature – and literary families – will be greatly saddened to hear of the death of Deborah, Dowager Duchess of Devonshire (also known as Deborah Mitford), who passed away on Wednesday morning, aged 94.

The youngest daughter of the Mitford siblings – arguably the defining family of their time – Deborah may have, in her early years, been overshadowed by a highly creative, highly productive and sometimes highly eccentric clan, but in the end she made her life her own. And in doing so, perhaps became the most impressive Mitford of all.


Deborah Devonshire's métier was managing Chatsworth, the family home of her husband Andrew, the Duke of Devonshire, and one of the largest private estates in England. They moved to Chatsworth in 1959, after Andrew inherited it and half a dozen other Devonshire-owned estates, including Hardwick Hall in Derbyshire, Compton Place in Sussex, Bolton Abbey in Yorkshire, and Lismore Castle in Ireland. (Before they moved into Chatsworth, Debo would often quip as they drove past: "Oh, look at that lovely house, I wonder who lives there?" To which Andrew would reply, "Oh, do shut up!"). 

It may have seemed idyllic but the task before them was enormous. For a start, the house had 175 rooms, 17 staircases and 3,426 feet of passage, and much of it required renovating. To make things worse, the couple was already saddled with a staggering debt. After Andrew’s father, the 10th Duke, died, the family faced death duties amounting to 80 per cent of the worth of the estate: £4.72 million, with interest to be paid at a rate of £1,000 per day. However, Deborah, who had inherited her mother's business sense went to work. One estate was given to the National Trust, thousands of acres were sold, and many books and works of art auctioned off. The final debt was finally cleared in 1974. 

Deborah always credited her mother for her frugality. Sydney (known by the Mitford girls as 'Muv') had been a meticulous housekeeper who had recorded all the family's expenses in a small book. "My mother’s account books were fascinating," Deborah once confessed in an interview. "She always wrote down every penny spent on household things, every penny. She loved figures and adding up." 

Deborah also revealed that her sister Nancy had not inherited the Frugal Gene. Once, when the siblings were receiving housekeeping lessons, they were given an imaginary budget of £500 a year and asked to budget for heating, food and so on. Nancy wrote, 'Flowers £499. Everything else £1.’


Deborah's money-saving ways even extended to clothes. She loved fashion and photo shoots often featured gowns by Oscar de la Renta (the perwinkle blue one on the above cover is by Oscar de la Renta) and Balenciaga by Nicolas Ghesquirè. However, when it came to day-to-day gear, she preferred hardy garments bought from agricultural stores. Fancy gardening gear purchased from Harrods and other fine establishments never lasted, she claimed – and always cost far too much anyway.

After Andrew passed away, she moved out of Chatswoth to make way for her son Peregrine, the 12th Duke, and his family. "I was 85, it was high time to go!" she said, with dignity. Together with her beloved butler Henry, who had been with the Devonshires for more than 50 years, and her personal assistant Helen Marchant, who had been with them for 25 years, Deborah moved into the smaller residence, Edensor House, on the Chatsworth Estate. She also took her beloved chickens, which were so cherished they were featured on the cover of one memoir. (When John F Kennedy visited Chatsworth to pay his respects to his sister's grave – Kathleen Kennedy has been married to the Duke's elder brother – Kennedy's helicopter blew away some of the chickens and Deborah said she never saw them again.)


Last year I wrote to the Dowager Duchess to see if I could interview her for a new book on horticulture, haute couture, and high society. A mutual acquaintance at Heywood Hill bookshop in London (which I often shop at and which the Mitfords own), kindly passed her details on.

(This same acquaintance told me the wonderful story of how Nancy Mitford worked in the bookshop in the 1940s, turning it into a lively social and literary hub for friends and book lovers. Unfortunately, she lacked the sense of her younger sister, and one night forgot to lock up. The next morning she arrived at the bookshop to find people everywhere, chatting, offering recommendations and trying to sell books to each other. The Devonshires were majority shareholders in Heywood Hill until last year, when Andrew's son Peregrine 'Stoker' Cavendish, bought the bookshop outright in order to save it.)

So I wrote a humble letter to Deborah at Edensor House. I'd been told that Elvis (her idol) was the key to  gaining an audience with her and so I mentioned how a lovely friend in California had once dated Elvis when she was young, and relayed a funny story about him – which he no doubt would have approved of, too. The request was a few months too late. Deborah had already become frail and the request was politely declined, although I didn't realise how serious her health was. Her beloved butler Henry had even been allowed to retire. 

I thought of her life, her legacy, all those memorable memoirs – and her energy! It seemed unthinkable that she would ever pass away. 

There are some people in our lives, and in history, that we wish we'd met, even briefly. I would have like to have laughed with Robin Williams (and perhaps given him a shy hug), chatted to Churchill, and shared a stroll through a French garden with Nicole De Vésian. I would have been awed to have been in the same room as Givenchy, and still pay my respects to Hemingway whenever we go to Key West. But for many of us, Deborah Devonshire remains the one person we wished we'd had the opportunity to meet, even for a few minutes. She just seemed like so much fun!

Let's hope the Mitford girls are now happy to be together again, laughing in Heaven.


One of the best books about the Mitfords isLetters Between Six Sisters, featuring 75 years of letters between these witty, humorous siblings. The book was edited by Charlotte Mosley, Debo’s niece, who clearly knows the family better than anyone.

Another great insight into the sisters is The Pursuit of Love, Nancy Mitford's bestselling novel, which was, in her own words, "an exact portrait of my family". Both are still available on Amazon, as are Deborah's books, including The Garden at Chatsworth. {Above images from her books.}


Great books, great stories, grand travel, and even grander fathers

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Exactly two weeks ago, our family and friends celebrated the life of my kind, wise, clever and thoughtful father, in a packed chapel overlooking the gentle green hills of the countryside. (Don't worry; this is a post about happy things!) I was reluctant to attend; my father was my hero and I was heartbroken. But I did and it was beautiful. (I also had to do the 150 photos for the slide show; which took a few G&TS.) Afterwards, my partner and I had a quiet word at the cemetery, where I told dad what a wonderful father he'd been, and how grateful we were to have had him in our lives. All daughters think their dads are special, but I was particularly lucky. My father was an adventurer who taught his children to love travel, an educator who instilled in us the very best of his values and beliefs, a mathematician with a gift for money and numbers (oh, how I wish I'd inherited THAT gene!), a hard worker who believed that tenacity, determination and a strong work ethic will take you a long way in life, and a gentleman who practiced kindness right until his last days. I hope I am as kind as he was at 74 years of age.

But the one thing I'll always remember my dad for, the one thing I want to celebrate here, was his ability to tell a great story. My dad was a born raconteur. Not only that, he also loved listening to others' travels and adventures (just as I do), especially if an entertaining anecdote was involved. In fact, I think it's his laugh that I will miss most. There's nothing like someone's laugh to make you laugh in return, don't you think? We need more laughter in the world. We could all do with a little less negativity and a little more joy. And so I'd like celebrate my father by posting about some of the things he loved; namely books, great stories, good friends, and grand journeys (with luggage to match!). 

As always, feel free to follow on Instagram – link below. I'll be back on board IG in a few days with pix of New York and New Orleans gardens (doing a little garden tour of the French Quarter), and would love to chat to you there! 





PARIS IN STYLE

My publisher will growl because I haven't publicized this earlier, but I hope the circumstances mentioned above allow me to be forgiven. Paris in Style is my newest book on Paris, and probably my last. And because it's my last, I've packed it with Parisian secrets and insights! From the splendid Architecture Museum (just as good as the Carnavalet) to the little-known tours of Chanel's apartment on Rue Cambon, it covers hundreds of wonderful places to discover in this endlessly fascinating city. There are secret fashion and textile museums, sweet little hotels, under-the-radar neighborhoods, lesser-known design destinations, unusual boutiques, irresistible vintage stores and flea market stalls, gorgeous shoe stores and fashion boutiques, heavenly homewares places, and even hidden gardens and parks to explore.

There's also a convenient list of 'must-sees' if you're in a hurry, and an extensive section on Paris's most surprising fashion and design quarters, from SoPi to NoMa and the 16th. And of course, there are hundreds of photos and captions— because who reads copy anymore? It's a great little format too: compact enough for your handbag or carry-on. So grab a copy (it's just been released on October 1) for your next trip to Paris. I hope it offers lots of insights and ideas to help you plan the perfect Parisian sojourn.

MUP (Melbourne University Publishing), $39. 
(Available through all bookstores and Amazon)
Link here – PARIS IN STYLE



VOLEZ, VOGUEZ, VOYAGEZ:
A NEW EXHIBITION OF TRAVEL, BY LOUIS VUITTON

If you were lucky enough to attend LV's magnificent exhibition on the art of travel and antique travel trunks at the Carnavalet Museum in Paris several years ago (and even if you didn't), you're going to love this special exhibition. Held at the sumptuous Salon d'Honneur at the Grand Palais in Paris, 'Volez, Voguez, Voyagez' will celebrate the evolution, and the glamour and adventure, of travel. The exhibition will include displays on:

THE TRUNK OF 1906 — an innovative design
THE CLASSIC TRUNKS — a catalogue of refined canvases, shapes and locks
THE INVENTION OF TRAVEL – the inauguration of the Steamer Bag
THE PORTAIN TRUNK — a conversation with art
ECCENTRIC AND CURIOUS TRUNKS — including Gaston Louis Vuitton’s own collection
FASHION AND BEAUTY – including 'celebrity' luggage and 'superstar' trunks
and 'THE MUSIC ROOM'— comprising special orders (aka the stuff dreams are made of!)

If you're a traveller, an adventurer or just an armchair dreamer, you won't want to miss this show. (Highlights will inevitably be posted online closer to opening date.) It will inspire, delight and perhaps also motivate you to pack your own well-worn bag and seek out some quiet corner of the globe to explore. 

From December 4 until February 2016.
Grand Palais, Paris



MUSEE IN A MAISON:
A PEEK BEHIND THE SCENES AT LOUIS VUITTON

If you can't make the Grand Palais exhibition, you can still peek inside Louis Vuitton's atelier via its new museum, which has just opened inside the original Louis Vuitton home and workshop in Asnières-sur-Seine, France. Simply called 'La Galerie', the new museum was put together by the renowned Australian-born, London-based curator Judith Clark, and showcases Louis Vuitton's journey via stories, inspirations, collections, and artistic collaborations, plus, of course, all the magnificent travel pieces, from steamer trunks to canvas bags. It's a wonderful opportunity to see inside the hallowed walls of this legendary French house. 

 Visits by request. Weekends only.




LES JOURNEES PARTICULIER: A PEEK BEHIND PARIS'S COUTURE AND CRAFTSMANSHIP

Les Journées Particulières only comes along once every few years, so mark the dates of May 20-22, 2016, in your diary. Organised by the LVMH group, this is a unique event designed to celebrate the heritage and craftsmanship of Paris' various maisons, and all their ateliers, workshops, studios, back rooms and pin-filled toiles. The opportunity to see inside these ateliers is so rare that whenever LVMH announces these open days, people queue for hours for the chance to join the privileged few visitors. (The last one, in 2013, saw more than 100,000 people go through the various doors.) The most popular atelier is, of course, Christian Dior, but Givenchy, Céline, Guerlain, Louis Vuitton, Fendi, and Marc Jacobs and the other maisons will no doubt be just as packed next year. More details will be released early next year, so keep an eye out. 

www.lvmh.fr


RECOMMENDED NEW READING

Last week, I sent piles and PILES of gift parcels to friends and family, including my favorite aunt, Margot, who is just the most beautiful soul, inside and out. (And has been incredibly kind to me, as good aunts are.) All of these parcels contained books – the BEST kind of gifts, I think – and these were some of the goodies. 

A Day at Chateau de Vaux le Vicomte If you bought the book on Versailles by the same publisher, you'll adore this little gem, which goes behind the scenes of one of France's great chateaux (the gardens inspired Le Notre to design Versailles). There are architectural drawings, garden plans, garden photographs, and incredible wide shots of the interior, including the kitchens and grand salons. The best part, however, is the history, and all the scandalous stories. A great gift idea. Flammarion, $42.

Modern Love: The Lives of John and Sunday Reed is the latest look at this Bloomsbury-esque couple who shared their home, their hearts, their dollars (they were two of our greatest art patrons), and their business know-how to enable up-and-coming artists to achieve extraordinary success. Of course, they shared their beds too, but thankfully this book doesn't go into the dirty details too much. It's one for Heide lovers, including Nicole Kidman, who named her daughter after Sunday Reed, and a fascinating insight into art and love and how, when the two are combined, they often create the greatest inspiration. There's also an accompanying exhibition at Heide, which is well worth seeing. MUP, $45.

Endless Pleasure: Exploring and Collecting Among the Byways of Gardens is a wonderfully quirky title about gardening featuring contributions from garden writers, food writers, chefs, artists, gallery curators, and antiquarians who love the outdoors. There are stories behind the tools we use and love, recipes and memories, and irresistible garden paraphernalia such as prints and drawings. Much of it draws on the collection of the new Australian Museum of Gardening in Adelaide, and the illustrations, images and page designs will give you pleasure for an entire weekend. Buy one for a friend and another for yourself! Wakefield Press, $39.95.

World of Interiors. If you don't have a subscription to this sumptuous magazine, put it on your Christmas Wish List. The September 2015 issue is a little slice of bliss.



TRICIA FOLEY'S FABULOUS NEW BOOK
LIFESTYLE: ELEGANT SIMPLICITY AT HOME

I first met the New York author, editor, stylist and consultant Tricia Foley several years ago, while shooting her quietly beautiful Long Island farmhouse for a book. We've stayed friends ever since. She is not only one of the kindest and most unpretentious people I've ever met but also one of the most talented interior designers. And her home... well, the word 'farmhouse' (Tricia's word) is an understatement really. Imagine a stylish white house on an idyllic river setting (complete with a tiny white boathouse), and then fill it with antique armoires and elegant sleigh beds, cupboards of beautiful white porcelain, sublime tablescapes of beautifully arranged treasures, crisply slipcovered white furniture, worn white floors, piles of books, and room after room of gentle grace. Even the basement has been converted to a charming office with a fireplace, library and flower room.

Now, Tricia's 10th book, Lifestyle: Elegant Simplicity at Home, chronicles the 13-year renovation and decorating of this once-ramshackle 19th century farmhouse and its little twin, while revealing the heart and soul of their wonderful owner. Some chapters are deeply moving: "I didn't expect to stay long in this little orphaned house I found on Long Island years ago.." she writes on one page. And the images show the love she has poured into the place. She also offers advice drawn from years of working with famous clients, including Ralph Lauren. The foreword was written by her close friend and neighbour Isabella Rossellini, who writes: "Her determination to make anything old and decrepit beautiful is so contagious that ever since she moved to Long Island, the entire village has been transformed." It's true, too. In recent years, I have gone from being a black-and-white girl to embracing color in all its shades but reading this book makes me wonder if we shouldn't all return to the peace, elegance and utter sophistication of refined, timeless white rooms? With the publication of this title, I suspect an interior design movement back to white its well on its way. 

Rizzoli, $45.




 RODNEY SMITH'S NEW BOOK PROJECT,

Remarkable is an overused word in the creative world, but in Rodney Smith's case, it really does apply. One of the most outstanding photographers to have emerged in the past 40 years, his work bridges both commercial and creative. Think Margritte meets Mad Men. There are images of ballgowned beauties reading classics in lush country gardens, bowler hatted-gentlemen doing dances with black brollies, and elegant 1950s-style travelers heading off on their own glamorous Grand Tours with suitcases atop their sleek sedans, but there are also surprising scenes of broken tea sets in French ballrooms and philosophers contemplating wise old trees. 

Not surprisingly, Rodney Smith's 45-year-career spans everything from the New York Times to magazine editorials, and his work has long been coveted by collectors. Well, now those of us unable to afford the $4000 for a single print can purchase 170 photos for just $75 via Rodney Smith's Kickstater campaign, which aims to fund funds to publish a stunning new tome. With the goal of $42,000 almost reached, you'd better be quick if you want to secure a signed copy of your own. 

Like everything else Rodney Smith does, this is certain to be spectacular. For more details and a video of the project, click on this link – https://www.kickstarter.com/projects/rodneysmith/rodney-smith-photography-book



TROPICAL CHIC: TRULY BEAUTIFUL HOMES

Tropical Chic was was a surprise buy. I fell in love with the cover and then found the contents to be just as gorgeous. Written by Jennifer Ruddick, it takes readers behind the grand garden hedges and gates of glamorous Palm Beach in Florida, home to some of the most spectacular residences in the US. If you're a fan of bold color and chic interiors done with a certain cheekiness and whimsy, this is the book for you. There are iconic mansions that have been featured in many magazines but there are also private residences that are clearly more about family than making a statement. A truly lovely book. 

Vendome, $80.





PROVENCE AND THE FRENCH RIVIERA


Provence and the Côte d'Azur has been published in Australian for a year or more now, but has only just come out in the USA (Chronicle Publishers), and friends have been kindly emailing me whenever they've caught sightings in Anthropologie and other stores. I thought I'd mention it in case you're heading to France this year, or making plans for next year. As always, if you want any travel ideas and insights, feel free to email me. I'm always helping people with itineraries (and love doing it). Even if time is restricted, I'll always offer whatever I can by way of great, under-the-radar places, including hotels, hideaways, stores and more. Of course, you can buy the book, too! 

Chronicle, $20.



Until the next blog post, wishing you all much love from our (slightly weed-filled) garden. (Clearly Mother Nature's been hard at work while we've been away tending to family things.) 

As always, feel free to follow on Instagram – I hope to be back on IG in the next few days, with some gorgeous pix of glamour and gardens in New York and New Orleans, and perhaps Europe too!


(Click for link)

Looking Ahead to The New Pretty in 2016

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There's a shift happening in the fashion and design world. It's almost imperceptible, but it's there, like a gentle southern breeze quietly blowing through open doors and windows of a room on a hot, muggy afternoon. It's a shift away from austere lines, sharp edges and fierce minimalism in favor of pretty, witty and whimsical. Some are calling it The New Pretty, but I think it has more depth than that title suggests: there's a nod to sweetness and cheekiness, yes, but if you look closer there's also a thoughtful elegance lingering underneath. It's a softer, more glamorous aesthetic that harks back to a 1950s-style sophistication. And it's showing up not just in books, interiors and fashion, but also hotels. Just look at the design waves that the new Malliouhana Hotel in Anguilla (above), the Sujan Rajmahal Palace hotel in Jaipur, the Only You Hotel in Madrid, and the Ham Yard Hotel in London have made in the international media this year.

And so I thought I'd post a few things from The New Pretty Movement, to lift your spirits from this week's reflective post.

A heartfelt thanks, too, to all those who emailed or privately Instagrammed me with kind letters and gracious notes. I was overwhelmed, and deeply grateful. And to all those who have recently lost or are facing health issues with their own fathers (isn't it strange how this year has affected so many?), I offer one word: Love. Give your Dad LOTS of love! This is a not a time for negativity or regrets or even recriminations. It is a time to celebrate the life we've all had, and to remember how lucky we are. I think of that all the time when I travel; how fortunate I am.Gratitude is a grand thing. It puts you back in your place, prevents you complaining too much, and redirects your focus from looking down and frowning to looking up, with a wry grin. We need to remind ourselves--and the people we love--that life is wonderful.  So here are a few wonderful things to lift the spirits in your world this week.



DIANA VREELAND: BRINGING GLAMOUR BACK
Diana Vreeland would be pleased as alcoholic punch that her name and style are being revived after so many years. Her grandson Alexander Vreeland is creating an entire industry out of his celebrated grandmother via the Diana Vreeland Estate, and Diana's fans are embracing the memorabilia, much of which will undoubtedly become collectors' items. Alexander's first project was the hugely successful book Diana Vreeland Memos: The Vogue Years, and now he's following it up with the equally gorgeous Bazaar Years

Featuring one of the prettiest covers published this year, this beautiful book is a look at Diana's design legacy while at Harper's Bazaar magazine from 1936 to 1962; perhaps her most productive period. Like the first book, it's as witty as Diana, but this one is less about her famous memos and more about the fashion, magazine covers and page layouts. It would make for a lovely Christmas gift.



CHANEL'S HOUSE RETURNS TO CHANEL

“The garden was equally simple, planted with lavender and rosemary and all around, the smoky light filtering through centuries-old olives. Chanel had a wonderful sense of luxury and great taste.” 
Roderick Cameron, on Chanel's French Riviera hideaway, 'La Pausa'.

Some interesting news has just come out of France: the House of Chanel has just purchased Coco's Riviera hideaway, 'La Pausa', so it can stay within the Chanel company. (There are few photos to show Chanel's house on the French Riviera, so I've used a Google map, which will double as a helpful travel aid for those going there next year who want to do a little fashion walking tour of their own! Click the map to make it larger.) 

La Pausa was Chanel's private retreat. She bought it with the Duke of Westminster (rumour is he bought it for her), so they could hide from the world. (The Duke's crown motif from the Westminster coat of arms remains in La Pausa's entrance lighting.) Ironically, Chanel didn't spend a lot of sleeping time in it: she maintained a separate home near the town of Menton with a view of her 10-acre empire. But she adored it. She adored the gardens, the simplicity of the interior, and of course the views of the blue sea. (The white of the house and the navy of the Med made up one of her favorite color palettes.) Where she deviated from her normal monochromatic style, though, was in La Pausa's boudoir, which was a poem to pink. Pink draping dominated the boiserie suite, and when the new owners bought the house, they maintained her bedroom exactly as she had left it

Which just goes to show: most women — even the minimalistic Chanel — love some kind of pretty.

It's not known what the House of Chanel plans to do with La Pausa, but I suspect Mr Lagerfeld will be eying it for his future couture hows. How fortunate will those guests be?


ASSOULINE'S TRIBUTE TO RAJASTHAN
Assouline is publishing some beautiful new titles between now and the end of the year, and this is one of the most anticipated. Rajasthan Style is a glamorous ode to an extraordinary place, which is more popular than ever with the design crowd. In Assouline's words: "In Rajasthan one encounters marvel after marvel. One is surprised by beauty in all its forms – real or imaginary – and enchantment at every turn..." 

A travel journal on a truly grand scale (it's more of a tome than a travel book), this photographic opus highlights the dramatic beauty of the people, landscapes and places of this legendary region of India. Far more than a sourcebook of architecture, interiors, textiles, tiles, light and landscapes, it's an homage to one of the most inspiring, design-filled corners of the globe, and shows why Rajasthan continues to fascinate many of us, year after year.

(Published December 1, 2015)
www.assouline.com



THE SPECTACLE OF THE SUJAN RAJMAHAL PALACE 
If there was one hotel that astounded everyone this year, it was this: the Sujan Rajmahal in Jaipur. A fantasy of color, it reflected the theater of India in every corner.  If you're a fan of white, this may not be the place for you. (Try the lovely Taj Lake Palace Udaipur instead.) But if you embrace colour, put it on your Travel List for 2016.



HERMES' ODE TO GARDENS
This grand French fashion company is most famous for its scarves, and this one, entitled 'Winter Garden' (Jardin d'Hiver) is arguably one of the most beautiful designs ever printed. It's a lush layering of parterres, palms, orangeries, and even pineapples, all mixed into an intricate garden scene. Every time you look, there's some lovely new detail to discover. It's just beautiful. One to wear to Chelsea Flower Show in 2016?



CHELSEA IN BLOOM: 
BETTER THAN THE ACTUAL FLOWER SHOW?
There was a lot talk in London this year that the Chelsea fringe festivals are almost better than the actual Flower Show.  I agree. While the Chelsea Flower Show has become rather commercialized and brand-driven, the festivals that have sprung up around it, like self-seeding flowers in spring, are surprising, inspiring – and (best of all) FREE! My favourite is Chelsea in Bloom, the event that encourages all the boutiques around Sloane Square to put on floral-themed windows. Each boutique is then judged by the same judges of the Chelsea Flower Show, after which garden lovers are encouraged to wander around the route (there's a map on the Chelsea in Bloom website a week before Chelsea week) to take a look at all the botanical loveliness. Businesses take it so seriously that they commission big-name florists to draw up designs months before. Some can only afford to do it every other year, and you can see why: it's an extravaganza of petals and leaves.

I'm mentioning this here because it's definitely part of The New Pretty Movement.  This year, the Chelsea in Bloom boutiques were so spectacular, they transformed the streets around Chelsea into a veritable greenhouse of gardenalia. If you can't get tickets to Chelsea (or can't afford them), I encourage you to do this DIY walking tour of the area instead: it's free, fragrant and utterly fabulous. You'll be sighing with delight at every turn. 

www.chelseainbloom.co.uk (click for link)


CELEBRATING FASHION AND GARDENS, 
IN A NEW BOOK PROJECT

I haven't told many people this but for the past few years I've been quietly working on a garden book project on the side (in between other publishing projects!). Every time I've gone overseas I've tried to set aside a day or two to either shoot gardens or do a reconnaissance. (Some gardens are as glorious as you'd expect. Others don't receive the same horticultural love.)  After three years and a LOT of gardens, I had enough content to produce a mock-up. I wanted to create a really pretty book, a book that celebrated my love of gardens and fashion, but I wan't sure how to configure it? Finally, we had the answer, and this past week, the project has, to my surprise and delight, been green-lighted by a big New York publisher. 

Shooting begins in the US, France, Italy and England next year, and I'll certainly post some images here and on Instagram. I hope you like the project.

In the meantime, I'm still finishing the Joan Lindsay biography (the Picnic at Hanging Rock book), which is now going to be illustrated with images (the National Trust are getting involved), and may also become a documentary. (As you can see it's become bigger than we anticipated, which is why it's taking so long!) We hope to wrap it up by the end of this month, so it can be published in time for the big 50th anniversary next year. There is a Picnic play planned at the Malthouse theatre (nothing to do with my book, but part of the overall celebrations), a Picnic exhibition being staged at Mulberry Hill and even a TV series in the works.  Joan Lindsay would be pleased.

I'll keep you posted of news of all books as they evolve.


OSCAR DE LA RENTA'S BOTANICAL BEAUTIES
Mr de la Renta may have passed on to that grand, glamorous garden in the sky, but the company's new creative director, Peter Copping, is doing an impressive job filling his (stylish) shoes. This year's collections have been full of botanical beauties, from frocks to flamboyant heels. Just look at these two cuties. I love the leaf-strewn Spanish mules.




MANOLO BLAHNIK'S GESTURES AND OBSESSIONS
I love Mr Blahnik. I love the fact that he was raised on a banana plantation in the Canary Islands, and that his parents wanted him to become a diplomat but he enrolled in literature and architecture instead. I love the fact that Diana Vreeland gave him his start, telling him: "Young man, do things, do accessories, do shoes!" 

I also love the fact that he lives in the Georgian town of Bath, far from the pretense and madness of Paris and London. I really love the fact that he loves his garden as much as his shoes. But I particularly love the fact that he seems like such a genuinely nice gentleman! So this new monograph of his work is top of my Wish List.

Entitled Fleeting Gestures and Obsessions (isn't that the perfect title for a fashion book?), it's a look at his designs, his life, his loves and his legacy over the many years. It's one for shoe lovers, but it's also one for those who love design in all its forms. You can't get a much more inspirational person than this man.



THE V&A CELEBRATES INDIA

This exhibition has only just opened (a few days ago), and is one for textile and travel lovers. Entitled The Fabric of India, it's the highlight of the V&A's India Festival, and is the first major exhibition to explore the dynamic world of India's handmade fabrics. There's also a beautiful book, so if you can't make it to London, consider ordering the book online. Showing until January 10.



LONDON TOWN

Oh, I forgot to mention that we're still working on a beautiful London guide (the above is my mood board; not a design rough for the book), and I hope to bring you lots of London travel tips throughout the production process.


That's all for now, from this messy corner of my study!
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New and Old, in New York and New Orleans

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Last week, I spent a few days in New York City and New Orleans for work. I've always wanted to visit Nola after reading so much about its history, its mystery (did you see the American Horror Story series set here last year with Jessica Lange?), its gracious architecture, and its cheeky, slightly wicked Southern charm and humor, not to mention its killer cocktails.

"It's like a cross between Key West and Charleston, except with more alcohol, and fewer rules," said a friend. I wasn't sure what he meant, but it sounded good? I loved Key West and Charleston. Savannah, too. So it's like a hedonistic hybrid of all three? I asked him. My friend just looked at me. "NOLA is like nothing on this earth," he said, trying to do a Southern accent but failing. "You're gonna have a whole lotta stories after you've been to Nola!"

He then told me how the city has gathered a swag of prestigious James Beard Awards for its restaurants in the past two years, including Best New Restaurant for Pêche. With the buzz about the food, the media attention on the architecture (Sara Ruffin Costello's house always seems to be in the New York Times or some other blog), and the general decadence of the French Quarter, the place seemed to be jumping like a feathered entrant in the famous Mardi Gras parade. It was time, I thought, to head down south. I could already feel the bad accent coming on.

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So here are some snaps from a few louche luxe days and nights in New York and New Orleans -- and some great names for your address book. 

If you haven't been to either of these memorable cities, perhaps 2016 is the year to do it. Both of these places are experiencing a creative revival of sorts, with new and innovative restaurants, hotels, stores and businesses opening by the month. I loved them both. I just wish I had more time in them than a few days.


THE GREGORY:
A BEAUTIFUL NEW HOTEL IN NEW YORK'S FLOURISHING FASHION DISTRICT

There are many startlingly beautiful new hotels in New York, including The Baccarat, but I loved this sweet boutique hideaway, where the staff were as engaging as the decor. Recently renovated and renamed The Gregory (it's very fashionable to use gentleman's names as hotel brands now), it's tucked around the corner from the Empire State in the rapidly changing Fashion District, which -- along with the Flatiron area -- is the hot new neighborhood in Manhattan right now, judging by the hotels springing up like bagel carts on every street corner.

The Gregory's whimsical interior reflects the haberdashery and passementerie of the stores around it, with vintage sewing machines, elegantly upholstered armchairs and prints of old Vogue patterns on the walls. The rooms feature beautiful beds with piping-edged linen, black-and-white subway-tiled bathrooms with baths, and surprisingly large walk-in closets. It's a hotel tailor-made for fashion lovers, and the location is one of the best in Manhattan. Good rates too. I nabbed a lovely room for less than $300/night, inc taxes.

The Gregory
42 West 35th Street, New York



BOOKS, AND MORE BOOKS
(AND A FEW FLOWERS)

This trip was primarily a business trip, but there is nothing boring about seeing books all day long, especially the covetable tomes lining the offices of Rizzoli's headquarters like glamorous three-dimensional wallpaper.

Both Rizzoli's head office and its new Rizzoli bookstore in the Flatiron are beautiful beyond words, but it was the Strand's tiny bookshop in the corner of the Club Monaco store that won me over. It's an irresistible space that combines a charming florist with a sanctuary of coloured spines and new design titles. The scent was intoxicating. Pages and petals together... why don't more retailers think of that? (NB They seemed to have taken out the Dior-grey hatboxes and ornate black tables and replaced them with marble-topped florist's benches, but it's still lovely, and allows more space for all the bouquets.)

I also loved visited the Flower District around the corner, where I picked up these stunning long-stemmed mauve lilies for my new editor. The Flower District has shrunk in recent years, but there is still a joyous atmosphere about the place. It's a scented way to spend an hour on a sunny morning. (Tip: Most of the stores are wholesale, but if you offer cash, they'll gladly sell you a bouquet.)

Club Monaco (and The Strand's tiny outpost bookstore)
160 5th Avenue, New York.

Flower District
West 28th Street, between 6th and 7th Streets.


THE BUZZ ABOUT BELLPORT

The Hamptons end of Long Island tends to polarize people. Some people prefer the quieter coves of Shelter Island and Sag Harbor. But on this trip I discovered a new destination: the elegantly understated enclave of Bellport, halfway up Long Island. 

Now Bellport isn't a new thing: Anna Wintour, Grace Coddington, Isabella Rossellini and Thomas O'Brien (Aero) are just a few who live in this quiet, mostly rural hideaway. (Thomas O'Brien is opening a new store here in 2016, and lives in a spectacular converted schoolhouse nearby.) But recently Bellport seems to be gaining followers, many of whom are decamping from increasingly crowded Sag Harbour or Southampton up the road. 

I was lucky enough to spend some time at Tricia Foley's famous house here, which has been featured in countless magazines and also in her new book Life | Style (just out). This was her sitting room, above; a gracious space of slipcovered sofas, sofa rugs, irresistible design books, and intriguing collections of antiques. If only more hotels looked like this. Somebody give Miss Tricia a hotel to design. 




More images from Tricia's home, including her enviable flower room and laundry, above, her library and office (at top), and her enchanting boat house (below). 

More luscious images can be seen in her book Life | Style (Rizzoli).
www.rizzoli.com


THE Q AND C IN NEW ORLEANS

There hasn't been a lot of media about New Orleans's hotels, perhaps because most of them fall between the classic, balconied charmers and the boring business brands. Well, the Q&C is neither. It's a new interpretation of New Orleans, and it's a design darling that's winning a lot of design fans. Named after the old Queen and Crescent tramcar, it's a superbly decorated haven that features handsome grey flannel-covered wingback sofas, piles of design books to browse through, pressed-tin ceilings, curious antiques and quirky artwork (I loved the old maps), and a palette of white, chocolate and marle-grey. 

It's in the Business District, around the corner from the equally sophisticated, all-white International Hotel, but it's a five-minute walk from the French Quarter. (The separation means it's devoid of the noise and clatter of the latter.) The downstairs parlour (above), and adjoining lounge are so comfy, most guests settle in for the evening with a drink and their iPad and never bother going to their rooms. Rooms are spacious, too. A perfect hotel, in every way. I loved it.

The Q&C
344 Camp St, New Orleans, Louisiana. 


THE PHARMACY MUSEUM

You may think a museum set in an old French pharmacy, with real apothecary bottles, would be, well, odd. Perhaps even macabre? But The Pharmacy Museum is fascinating. The cabinetry alone is worth seeing, but it's all the old lotions and potions that will really make you go gaga (in a good way). Don't miss the upstairs area, where the white shelves are usually groaning with fantastic exhibits. The rear courtyard is lovely, too. An unexpected treasure in the middle of the French Quarter.

The Pharmacy Museum
514 Chatres Street, New Orleans, Louisiana.


NAPOLEON HOUSE

My favourite restaurant in New Orleans wasn't the celebrated Commander's Palace (cute striped awnings, but slightly too upmarket for a quickie lunchtime visit), or even gorgeous Galatoire's, but the cutely rustic, just-throw-those-pictures-on-the-wall-and-toss-the-chairs-around Napoleon House (above right). This place defines the word 'patina'. The walls are crumbling and nothing's straight, but the atmosphere is pure Southern charm. Even the owner wears an old-fashioned bow tie. Grab one of the tables in the courtyard or beside a French door opening to the street and watch the world go by. It's New Orleans as you'd imagined.

Napoleon House
500 Chatres Street, New Orleans, Louisiana.


GARDEN TOURS OF NEW ORLEANS

I've been longing to do a garden tour of NOLA's famous Garden District for years. But garden tours are very hard to organize -- I only do small tours with friends now -- and so I'm always looking for tours offered by other people, to see how they do it and to also take the easy seat for a change! 

Well, I did a garden tour of the French Quarter on the first day and it was terrible. So the second day, I tried one of Bill Noble's tours, called Le Monde Creole, which promised to focus on secret gardens of the French Quarter. What a inspiring guide! We wandered into private courtyards (with permission), sat by cooling fountains or under grand palms and learned about not only the architecture and gardens but also the women of the city, including Marie Laveau, who have all done so much to influence and create its character. There's another annual tour of private gardens of the French Quarter run by Patio Planters, but Le Monde Creole's tours are held everyday. If you love gardens, tag along: it's really special.

Afterwards, you can either find another tour of the Garden District (above, right; there are many tours of this neighborhood), or just wander the streets yourself, as I did, to see the grand mansions and impeccable grounds.

Le Monde Creole



A LITTLE BIT OF VENICE IN LA

On the way, I stopped in LA to visit friends in Los Feliz, and decided to stay at a place I'd never been before: Venice Beach

A friend had recommended the quaint, little-known Venice Beach House (above), which has rooms for $150/night, and is virtually on the beach (Australians love it). Well, I just adored it. It's one of the original beach houses of the area, and still has a wonderful old Arts and Crafts feel to it. It's more of a private mansion than a hotel (if you don't like sharing a bathroom, opt for one of the suites), but the upside is that staff are like family. There's afternoon tea served at three, free beach towels, and enticing spots to sit and read in the glorious garden.

Best of all, it was around the corner from both the Venice Canals, which feature some of the prettiest cottages in LA (they were a feature of the film Valentine's Day with Ashton Kutcher), and the up-and-coming Abbot Kinney Boulevard, which has some of the coolest shops in the city. 

Of course, there are still parts of Venice Beach that are dubious -- the section between VB and Santa Monica is one to avoid -- but the southern end of VB, around the canals and Abbott Kinney, is well worth a wander. The gardens here are the loveliest things to see; every cottage on the Venice Canals is different, and you can spend hours peeking over all the picket fences. It's a somewhat secret part of LA. And who knew there were many of those left?

Venice Beach House
15 30th Avenue, Venice Beach, Los Angeles


And now I'm back home again, back to shooting oil paintings and floral still lives for a book. The bag is unpacked, the garden is flowering after all the rain, and life seems a little gentler again...

Gorgeous Design Books for your Christmas Wish List

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PARIS IN STYLE: THE NEW PETIT GUIDE TO PARIS

I didn't want to write about Paris during the recent coverage of the terrorist attacks, because I was so heartbroken for the city. (And I'm still a little heartbroken over my own father, too.) But I thought the best way to remember Paris was to celebrate her. Paris needs to be visited; it needs to be loved and embraced and remembered. If you haven't yet visited this sublime place, consider doing so in 2016. Because Paris needs you!

PARIS IN STYLE (LINK) was a wonderful book to write because it took me back to Paris, and to those places that will always remain in my heart. The gorgeous Parisian gardens and parks, the beautiful little independent boutiques and stores (including secret fashion and design bookshops), all the fantastic places to buy new and vintage designer labels, handbags and scarves (some of the vintage Hermès scarves are more beautiful than the modern versions), plus hundreds of other design secrets. (And lest you think it's all about high-end labels, there are guides to the flea markets and other affordable destinations, too. Since I can't afford Chanel either!)

However, it also features many Paris destinations that I've only just discovered these past few years, ranging from textile stores to enchanting and often tucked-away neighborhoods -- including a great neighborhood for architecture lovers that feels like a piece of pastoral France, with mini-chateaux and villas.

It's my little tribute to a city that still sparkles, even after all this horror.

A few page spreads are collaged here...



PARIS IN STYLE.  PUBLISHED BY MUP (Melbourne University Publishers). 
SEPT 2015.

LINK HERE or on AMAZON





GRACE: A NEW EDITION OF THE BESTSELLING MONOGRAPH

One of the most popular fashion books ever published was Grace; Grace Coddington's beautiful book about her life and fashion shoots at US Vogue. It was so popular that editions have been selling on Abe Books and eBay for up to $1000. Well now Phaidon publishers, in all their wisdom, have decided to buy the rights and re-publish it. And the new copies are being snapped up just as quickly as the old ones! It's come out just in time for Christmas, and Grace has been doing book signings in New York this past week. (I believe The Strand still has signed copies available?)

What isn't as well-known is that Grace is working on a follow-up to this illustrated monograph, which will be published mid-2016, and will feature Vogue fashion shoots from 2002 to the present day. Vogue's famous September issue (2016) will carry an extensive interview with Grace to promote the book's publication.

For those who love Grace and her talent and style, there's a lovely interview on Phaidon's website, where Grace reveals her aversion to social media and other humorous insights, including how her book has become a much-thumbed reference at the Vogue offices. "Everybody around is always coming and borrowing it and wanting to look at it again; everybody’s always referencing it. It’s been useful for that, because all of the shoots are dated and there’s an index in the back.”

The Phaidon interviews with Grace are HERE and HERE. (Above images from Phaidon's website.)

GRACE. PUBLISHED BY PHAIDON. 
DECEMBER 2015


LIFE IN SQUARES: CELEBRATING THE CENTENARY OF THE BLOOMSBURY SET

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2016 marks the 100th anniversary of the Bloomsbury Group (not sure how, but it's a great marketing tool!), and already there are books and films and TV series being rolled out in anticipation of the Bloomy 'buzz'. Recently, there was the sumptuous and much-talked-about BBC series Life in Squares, which is now available on DVD. But if you can't find that, Amy Licence's book, Living in Squares, is just as compelling. The story is too complex for me to do justice in a few lines, but there's a great synopsis HERE. (There are also other titles about Virginia Woolf and Vita Sackville-West  on the same Amazon page.)

Still as fascinating as ever. (And the sets of the BBC series are as fantastic as the storyline!)

LIVING IN SQUARES. AMBERLEY PUBLISHERS
JULY 2015


GREAT GARDENS OF LONDON: A LUSH LOOK AT THE  HORTICULTURAL CAPITAL OF THE WORLD

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I want this book. Badly. It's beautiful. The images are lavish (many are double-page spreads), the gardens are lovely, and London, well, it has been my home and remains one of my favorite cities.

The best bit about the book is that authors Victoria Summerley, Hugo Rittson Thomas and Marianne Majors have managed to obtain permission to shoot many private gardens in the city, as well as some much-loved public ones. Accompanying the photographs are essays on the design and planting schemes that explain the designers’ inspiration, ideas and designs. 

Just lovely.

GREAT GARDENS OF LONDON. PUBLISHED BY FRANCES LINCOLN.
OCT 2015


JULIA REED'S SOUTH: A SOUTHERN GUIDE TO GRAND ENTERTAINING

I love Julia Reed. Her writing is witty, warm and spiked with funny stories. Her home in the Garden District of New Orleans was magnificent too. And her book on Furlow Gatewood remains an all-time favourite. 

This new book isn't out until 2016, but mark it on your Wish Lists; it's certain to be as riveting as the rest of her writing. Julia and fellow photographer Paul Costello have spent months shooting at various locations in the Deep South, including many gardens, and the images are just lush! 

Look at the cover. Doesn't that make you want to visit the South?

JULIA REED'S SOUTH. PUBLISHED BY RIZZOLI
2016



LEE: A NEW LOOK AT LEE RADZIWILL

I can't say much about this new title as very little has been released, but the images are glorious and Lee Radziwill always makes for a great story. (Her life is one long, enthralling narrative.) What its publisher Assouline has revealed is that it follows on from Lee's best-selling Happy Times, recalling her friendships with the numerous cultural figures, from Rudolf Nureyev to Truman Capote.

Love the collage-style page spreads.

LEE. PUBLISHED BY ASSOULINE
DEC 2015.



MICHELE BONAN: A MONOGRAPH ABOUT THE DESIGN MIND BEHIND JK HOTELS

If you love the look of the JK Hotels in Capri, Rome, Florence and elsewhere (now Instagrammed and blogged to death), this is the book for you. It's a monograph of the talented designer Michele Bonan, the magnificent design mind behind these soothingly serene hideaways, as well as others such as the Marquis Faubourg Saint-Honoré in Paris.

A great one for fussy travelers and discerning design lovers. I can't wait to see a copy.

MICHELE BONAN. PUBLISHED BY ASSOULINE
DECEMBER 2015

Images and Visuals: Behind The Scenes on an Illustrated Book

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There's no getting around it: we are now firmly ensconced in the visual age. Where once it was all about the word, today it's all about the image. Photographs have become as much a part of our lives as the social media tools that capture them.

This is perhaps because, in a world cluttered by information, visuals simplify life.  They cut across languages and borders, not just geographically and linguistically but also aesthetically. They are the default alphabet of our modern life.  

In fact, our visual intelligence is now so refined that many of us are communicating largely by images rather than words. We are even able to recall the images we've seen, much like conversations.  An ex-Vogue friend in Sydney has a remarkable recall: she can look at an old image and pinpoint which designer / website / book / magazine / fashion collection it came from, OR the era / year / book / film / designer it was inspired by. (From what I hear, Vogue staffers had to have such encyclopedic minds. They were all walking reference libraries.)

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(Top grid of images from my website. 
Second grid of images above from a forthcoming London guide book, currently in production.)


I love the beautiful and refreshingly original website / blog by former New York creative director-turned-author Amanda Brooks, who wrote the book I LOVE YOUR STYLE.  (LINK HERE) Her newly re-designed layout is wonderfully image-rich but it's the way she configures the content around the visuals that's really inspiring. Just look at her 'visual board' on writer / gardener Vita Sackville-West above. Genius.

Amanda is almost religious about images -- her photographs of life at her Oxfordshire home Fair Green Farm are pure poetry for the weary, visual-ed-out soul --  and because of this, she has just picked up a new book deal with Penguin. Clearly, her discerning eye for images has caught the eye of some discerning editor, somewhere.

A few other writers, designers and bloggers who are skillful at imagery include Ben Pentreath (LINK HERE; scroll down to his garden pix for the best eye candy), Tory Burch, Mark D. Sikes and India Hicks.

In the following paras, I'll show you just how influential images have become in our lives, particularly in the world of books. (Certainly illustrated books.) You'll see why visuals really are leading the way in the modern world.


IN THE BEGINNING...

For a long time, I was a word girl. A journalist. Visuals were something the photo editors took care of Then, I began contributing articles to Australian Vogue Living as a freelancer (not as the editor, as stated in a publisher's blurb recently). The Melbourne editor, Helen Redmond, was famously lovely, but I'll always remember something she once said to me. We were talking about Vogue and Vogue Living's high production values and she said that any intern who worked for them needed to be so aesthetically savvy that they could be trusted to go to the markets and find "ten perfect potatoes", if the need arose. (This was in the days when Vogue Travel and Entertaining was part of the Vogue stable.) Isn't that fantastic?  I've always remembered that. Ten Perfect Potatoes. It was the design version of ISO 9001:2015. 

It was then that I realized that the 'look' of something can be as important as the story and the words around it.

Now I remembered this quirky Vogue mantra recently because for the past few weeks I've been trying to design several books. And often I've felt I've not been living up to the 'Perfect Potato' standard.  

Here's how I got through.



STEP ONE: STUDY THE BEST

When you're struggling with anything at all, study the best to see how the pros do it.  One of the best photographers and visual manipulators around (in my insignificant opinion) is the New York-based Australian photographer Robyn Lea. 

Robyn's book The Milan Book, above, is a visual work of art. A publishing masterpiece. 
Here are some page designs, above and below... 


There's a fantastic video about how the book was produced from Robyn HERE, but there's also fascinating post about how it was designed HERE. 

The pages of this sumptuous tome feature (wait for it) varnishes, laser cuts, UV varnishes, almond scratch and sniff varnishes, hot stamps, reliefs and bas-reliefs, black silk screen prints details, letterpress inserts and silver laminations, among other effects.

Incredible. And that's not even touching on the beautifully composed photographs.



Robyn (who is a new friend, so I hope she doesn't mind all this!) has also recently produced the bestseller Dinner With Jackson Pollock: Recipes, Art & Nature, published by Assouline (2015).

 This is another extraordinarily beautiful book where the images have -- as you'd imagine with a book about Pollock -- taken centre-stage. 

I particularly love the juxtaposition of paints /  pastels and receipts / food. 

It's beautiful, and very, very clever.  No wonder it's been a good seller.


STEP TWO: RESEARCH VISUALS; UNDERSTAND WHY THEY WORK

Now it's one thing to look at pretty pix; it's another thing to understand why they affect us so much? One of the reasons is that images tell a story, mostly through their composition but also through their layers, colours, patterns and lines. The best images are as carefully put together as any photo shoot directed by Grace Coddington.

Look at the stills for the BBC's new series on the Bloomsbury Group, A Life in Squares, above. I loved this image because it shows everything from the wicker chairs loved by the Edwardians to the pragmatic colour palette preferred by writers and artists and gardeners at this time. Images like this offer invaluable insights into how visuals are put together, whether for a book or a film. They show how the designers and producers are aiming for integrity as much as beauty.



STEP THREE: COLLATE YOUR OWN FILES AND PILES

The next step is to gather your own inspiration, for whatever project you're working on. (Or even for your own personal files.) You may think you'll never need your carefully curated visuals for anything. But I'll show you why you will.

Recently, I've been designing the pages for my illustrated biography about Joan Lindsay and Picnic at Hanging Rock. The biography covers the years 1896 to 1980, but the main section focuses on the Edwardian years, so I had to understand Edwardian aesthetics and even Edwardian colour palettes. The BBC series, A Life in Squares, above, helped to clarify the 'style' of writers and artists in this age, and the lovely Charleston magazine further confirmed the style. (Isn't this a gorgeous cover?)

I then crystallized this colour palette using roses from our garden. (I was dead-heading one morning, and they seemed too pretty to waste! This rose page eventually became the Acknowledgement page.) 


Then I came across these visuals on my Instagram feed (left image from Carolyn Quartermaine's Instagram; right via Rivkah1981's Instagram), which showed just how beautiful the colours green and yellow can be. (NB Yellow is set to be big in fashion in 2016.) I realized then that yellow would brighten some of the pages of this biography, especially those that featured old sepia photos, as sepia photos can often look 'dull' if too many are stacked together.

Yellow and green are also the colours of Australia, so they seemed fitting for a biography about a major Australian author and her iconic Australian novel. (They are also the colours of the Australian countryside in summer, which is when Picnic at Hanging Rock was set.)


But even then, the shade of yellow was wrong. This is the title page. The daisies were a reference to picnics, but it was all wrong. (The ferns are a mural in Joan Lindsay's writing room.)  This was an early page design that was relegated to the bin.



So then, I went back to that old fail-safe: the collage. 

I ended up configuring some simple, pared-back collages that featured Joan and people she knew -- Sir Laurence Olivier; the Murdochs; Dame Nellie Melba -- and the Edwardian picnics she went on as a girl to Hanging Rock. But you can see that it still featured the greens and golds, albeit in a softer way.

In the end, the book featured an unusual palette: leaf green, yellow/gold, pale pink, plum, sky blue and beige/grey (for the old photographs). I would have never thought it would work, but it does, because they're not only the colours of Joan's Edwardian childhood, when she set Picnic at Hanging Rock, but also the colours of the countryside where she lived as an adult; the sky; the landscapes, and her beloved garden and the flowers.


So you can see how images and visuals come into play in all sorts of different ways. If you really want to see how the professionals do it, however, have a look at the wonderful behind-the-scenes videos about the design of The Milan Book, by Robyn Lea, (outlined above), which show the detail that goes into designing books. Of course, sometimes it doesn't all go to plan. I hated one of my recent guidebooks, especially the headers! But you live and learn. Design is also a subjective thing. Certain images appeal to certain people, while other images take a while to like. And that's what makes the visual world so interesting. We're all on a vertical learning curve in this education of aesthetics. The Perfect Potato, indeed.



(NB These page rough were all done on InDesign. If you like designing layouts and/or want to mock up your own book, it's worth learning ID and Photoshop.)

Joyful Things In 2016

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This time last year, my partner and I decided to make a Christmas pact. We decided not to waste money on myriad gifts for each other, but to spend the money visiting UNESCO World Heritage Sites instead. (Last Christmas was spent at Angkor Wat and Siem Reap; still one of my favorite destinations. This February, it will be the Great Barrier Reef.) 

Writing our UNESCO Wish Lists for 2016 and 2017, which include Luang Prabang, and Praslin Island in the Seychelles (the Vallée de Mai national park was reportedly the original 'Garden of Eden') was a small thing, but it made me stop and think about life, and what makes each of us happy? (Thank goodness I have a partner who loves to travel.) Contemplating the UNESCO lists also made me realize that, no matter how overwhelmed we may become from digesting all the content we're offered in The Information Age, there are still so many things out there to discover in the world. There are still so many things to inspire and delight us; things that are so beautiful they will, like Angkor Wat and the Seychelles, linger in our memories long after we experience them.

2016 is set to be a year of such things. Here are a few lovely things to anticipate in 2016.  

As always, thank you for all the thoughtful and kind emails. I've loved reading every one of them, especially those from the Garden Tour girls, and look forward to staying in touch in 2016! Wishing you all a wonderful Christmas and New Year, and a happy, restful and joyful holiday season.

 (NB New additions to UNESCO's World Heritage List can be found HERE. I love that Singapore's newly restored Botanic Garden has been added to the mix.)


NEW HOTELS TO DREAM ABOUT

The new NOMAD HOTEL LA, THE BEEKMAN in NEW YORK, and BLAKES SINGAPORE are among the coolly glamorous hotels scheduled to open or begin development in 2016, but one of the most anticipated hotel openings is Six Senses' new resort SIX SENSES ZIL PASYON (above two images), in the SEYCHELLES. 

Set on the private island of Felicity (I love the name, plus that of nearby Curieuse Island), it's a short boat journey from La Digue or Praline (more gorgeous names), but miles from the rest of civilization. Six Senses is becoming as well-known as Aman Resorts for its architectural designs and remote destinations, so this will likely be One To Save Up For.

There's a great list of the Hottest Luxury Hotels in the World opening in 2016 HERE

(And if, like us, you don't have the budget for Six Senses, there are also lots of cheap guesthouses in the Seychelles too. As there are everywhere. It's difficult to find them, I know, but they're there.)



NEW DOCUMENTARY ABOUT A CERTAIN STORE ON FIFTH AVENUE

If you saw the much-talked-about documentary SCATTER MY ASHES AT BERGDORFS (featuring some of the best quotes ever captured in a doco – LINK TO TRAILER HERE), you're going to love the next in the series by filmmaker Matthew Miele. 

It's about Tiffany & Co., the jewelry store that started as a small stationary and gift shop more than 177 years ago, and eventually, with the help of Audrey Hepburn, a film and some good branding, became an international success. It stars some big names, including Katie Couric, Baz Luhrmann, Rachel Zoe, Jessica Biel, and Jennifer Tilly. Tiffany is on board, so the archive footage will be fascinating. 

No trailer yet. Released in cinemas early 2016.

(Above pix of Tiffany Christmas windows for 2015)


NEW FILM CAUSING A FUSS 
(AND AN OSCAR CONTENDER)

THE DANISH GIRL is a beautiful film. A beautiful film. It's based on the true story of Lili Elbe, a pioneer in transgender history, and the woman torn between her loving marriage and her own needs and desires. It's a timely film, coming out in the wake of Caitlyn Jenner's story (and Vanity Fair cover), and it's well worth seeing, even if artistic films like this are not your thing. 

Eddie Redmayne is superb as Lily, and up for a Golden Globe. He is even more moving in this than My Week With Marilyn, Les Miserables and The Theory of Everything. Alicia Vikander is also up for a Golden Globe. 

If you missed the previews of this film in late 2015, it will undoubtedly be re-released in cinemas in early 2016, as the Oscar buzz about it is loud. (It's released in Australia in early 2016.) 

TRAILER HERE. Released in cinemas early 2016.



NEW (TOURING) CHANEL EXHIBITION

If you missed the CHANEL EXHIBITIONMademoiselle Privé, at the Saatchi Gallery in London last month, the good news is it will be showing in Hong Kong early 2016 before traveling to other international cities. Billed as an 'enchanted voyage', the exhibition takes a historic look at the design of Gabrielle “Coco” Chanel and the contemporary direction the brand has taken under Karl Lagerfeld. 

No news of venues or Hong Kong dates yet, but keep an eye on Chanel's website for details.


NEW GARDENS-IN-ART EXHIBITION

There's been a spate of books and exhibitions about the beautiful symbiosis between gardens and art. Even Buckingham Palace held an exhibition on the subject last year. The newest show to display the inspiration that gardens have had on art over the years is at the Royal Academy of Arts in London, from January to April 2016. PAINTING THE MODERN GARDEN: MONET TO MATISSE will feature the usual players, including ol' Claude, but it will also highlight the works of artists and gardeners like Pierre Bonnard, Camille Pissarro and Wassily Kandinsky. It will also tour afterwards, so keep an eye out for cities and dates.

Set to be a blockbuster exhibition of paint, petals and pure joy. 
(There will no doubt be a book to accompany it, so look for it on Amazon.)

Royal Academy of Arts, Mayfair.  January 30—April 20, 2016.

Note: There's a great article about artists and gardening HERE, and another one HERE. I loved hearing about Monet's horticultural expertise. His library was filled with gardening books and  journals. Instructions sent to his chief gardener Félix Brueil in February 1900 included: From the 15th to the 25th, lay the dahlias down to root, plant out those with shoots before I get back. In March sow the grass seeds, plant out the little nasturtiums, keep a close eye on the gloxinia, orchids etc., in the greenhouse, as well as the plants under frames. Oh, if we only all had our own little Felix to do our weeding!



NEW (OLD) TV SERIES TO BUY FOR THE HOLIDAY SEASON

Finally, while this isn't new for 2016, it's something to put on your Must-Watch Lists for the new year. A lovely reader told me about it, and I just loved the trailer! She says it's well worth watching. 

It's a period drama called THE TIME IN BETWEEN (or type it's Spanish name—EL TIEMPO ENTRE COSTURAS into Google for best results), and it's about a young seamstress who rises to become an elite couturier and then a spy during the Spanish Civil War. 

The film sets are as beautiful as the fashion and the dressmaking. With the success of the Australian film The Dressmaker with Kate Winslet, and Dior and I, I predict there will be more movies about fashion, seamstresses and behind-the-scenes in ateliers and studios. Let's hope so.

TRAILER IS HERE. (It's wonderful!)
Available via Amazon and other outlets.

The New Trend for Flowers, Scents, Floral Books and Other Gardenalia

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There is a quiet but highly scented new trend sweeping England, France, the US, Australia and other international destinations. And it's all to do with botanica. In this grey, urban, high-tech world, we're turning to a new kind of therapy to offset it all: Petal Power.

I'm currently working on an ambitious new garden book, but my project is daisies compared to some of the extraordinary floral and garden projects being seen around the globe at the moment. 

Here are a few incredible ones...

As always, follow my Instagram at LINK ,  or at https://www.instagram.com/janellemcculloch_author 
I'm finishing writing two books but will be back to IG next week, once the deadlines are over.

(PS It seems strange to do this in a post about gardens, but RIP David Bowie. He will be greatly missed.)


A GRAND SCANDINAVIAN GARDEN 
(AND A GRAND NEW BOOK)

Do you follow Claus Dalby and his gorgeous garden on Instagram? I've written about him here before, but his photographs are becoming more and more beautiful with each passing season. Claus is a Danish plantsman, publisher, author, florist, photographer and an all-round lovely man man whose Scandinavian garden is arguably one of the best private picking gardens (flower gardens) in the world. 

Unfortunately, the garden isn't open to the public, apart from one or two rare days each year (usually August). But the good news is that Gardens Illustrated magazine is featuring his spring bulbs and other stunning tulips in a forthcoming issue. (Most likely April 2016)

And the even better news is that Mr Dalby is also working on a book, which will detail the whole development of this grand garden over the years.

The image above is the entrance to the garden. Glorious, isn't it?
Here are some further images from his Instagram feed.

It's an astonishing estate.



The room above is his 'vase room' (this is half the space). It's interesting how most of the vessels are green shades. Perhaps they highlight the flowers better than more neutral-colored or glass vases?

More of Claus Dalby's beautiful images can be found here . Many of them are his flower arrangements, which are just as superb as his perennial beds.

Further details can be found HERE.



THE LAND GARDENERS AT WARDINGTON MANOR:
FLORAL WORKSHOPS AND GARDEN GRANDEUR

Another Instagram feed worth following is The Land Gardeners, the business name for two floral entrepreneurs whose skill with arrangements is almost more impressive than the Oxfordshire garden and manor house they do it in. 

Henrietta Courtauld and Bridget Elworthy established The Land Gardeners in order to grow organic, quintessentially English cut flowers. Each week, they deliver buckets of blooms to London florists, local markets and individual clients. However, they also design gardens -- "wild romantic, productive and joyful gardens", says their wild, romantic, joyful website- - and they've already finished projects in England, France, New Zealand and Zimbabwe. 

But perhaps the one thing they're really becoming noted for are their workshops, in which they explore "healthy gardens". These workshops, held at historic Wardington Hall, are not only a chance to learn about gardening, flowers and other beautiful botanical matters, but to see the Manor and its gracious garden beds up close. (The dahlias are spectacular.) 

Forthcoming workshops include Grow Your Own Cut Flowers (Edwardian cutting gardens are very 'in' again), Planting a Dyers Garden and How To Grow Edible Flowers.

For more details, see http://thelandgardeners.com/learning--events or THIS LINK for details.




CHELSEA AND THE ORIENT EXPRESS 

The Chelsea Flower Show has seen some astounding show gardens over the decades, including one by the house of Chanel. (Still my favourite.) But the masterful, magnificent garden planned by Harrods and Orient Express for this year's show looks set to be one of the best yet.

The grand centerpiece will be a 25-m (80-foott) -long carriage from 1920s Belmond British Pullman (sister train to the legendary Venice-Simplon Orient-Express), which will be 'parked' in a special Chelsea Flower Show train station that will be surrounded by a a 6,000-square-foot garden. There will be two platforms, with Platform 2 featuring rare jungle ferns and other exotic, eye-catching plants. 

It's all designed to represent a 'journey through gardens' over the centuries. Very, very clever, indeed.

There is also a garden called ‘The British Eccentrics Garden’ (above), which looks like being one to watch as well.

More details on Chelsea can be found HERE.


A LOST HOUSE AND GARDEN IN MALAYSIA, REDISCOVERED BY A FILM CREW

Did you catch the period drama Indian Summers on Britain's Channel Four or in the US or Australia last year? (It's now on DVD if you didn't.) It was so successful that a new series has been commissioned and is currently in production. 

It's an epic drama set in the summer of 1932, at a time when India dreamed of independence, but the British were still clinging to power. The series revolves around the events of a summer spent at Simla, in the foothills of the Himalayas, by a group of British socialites at the time of the British Raj. 

The producers looked at filming in Simla, but eventually decided, due to logistics and monsoons, that Georgetown on the island of Penang would be better. (NB Because of this series, I now want to see Georgetown, which has been declared a UNESCO World Cultural Heritage Site, and so do thousands of others, judging by the increase in visitor numbers!) Executive producer Charlie Pattinson found their perfect setting on the VERY LAST DAY of their five-month scouting mission, after many countries and countless sites. It was at the top of Penang Hill, in Malaysia, where the wealthy had built hill stations to avoid the heat. It was a semi-derelict house that was hidden by jungle overgrowth but that clearly showed the remains of a grand floor plan and garden. It took the team some time to hack through the jungle to fully assess it, but when they at last emerged from the overgrowth, they knew it was going to make the whole show.

Woodside Bungalow, as it is known, was always going to take a lot to restore, and so Penang’s chief minister, who knew the colonial property and its architectural neighbours from his childhood, stepped in to assist. He found the funds and became personally invested in the project. After several months,  and great deal of painting and replanting, the house and garden were ready to be filmed. It was renamed 'Chotipool', and can be seen above, serving as the home of  Indian Summers' central character Ralph Whelan and his sister Alice. 

However Woodside wasn't the only hill station to be saved by Indian Summers'team. They also stumbled upon the old Crag Hotel, which was also perched on top of Penang Hill with its spectacular views. (Both houses could only be reached by a water-powered funicular railway, a real relic of empire, which eventually caused problems with production and the transporting of equipment up and down the mountain.) The Crag Hotel was one of several 19th-century hotels, including Singapore’s Raffles, that had been owned by an Armenian family, the Sarkies. After the Second World War the Crag Hotel became a boarding school, and was then used as a set in the 1991 film Indochine, starring Catherine Deneuve.  (I still remember the scene where she steps out onto the verandah, with the old timber shutters visible behind her.)

But after the Indochine film crew left, the jungle re-claimed it. When the Indian Summers team came along and saw its forlorn facade, barely visible through the vegetation, they knew that the Crag would be perfect as the Royal Simla Club, where much of the action happens in the series. (Julie Walters is the club's owner and powerbroker.)

Isn't that a great story of two great houses and gardens, lost to the world and then rediscovered just in time?

More details on Indian Summers' setting can be found HERE.
Let's hope they commission a third and fourth series, and it becomes -- as the media are suggesting -- the next Downton Abbey.


PAULETTE TAVORMINA AND THE ART OF FLORAL PHOTOGRAPHY

Have you heard of the New York photographer Paulette Tavormina? I was first alerted to her by a friend Lee. (We send each other recommendations all the time; aren't they the best kinds of friends to have?) Paulette composes the most beautiful still lives you've ever seen; intricate studies of figs and roses and fruit that look more like 17th-century Old Masters' paintings than something put together on a 21st-century  photography studio. (She admits to being influenced and inspired by the still life art of Dutch, Italian and Spanish painters of the 17th century, including Francesco de Zurbarán, Giovanna Garzoni, Maria Sibylla Merian, and Willem Claesz Heda.)

Well, Paulette Taormina has, not surprisingly, gathered a following and is now producing a limited-edition book on her work, which is available to pre-order. There are also exhibitions and workshops planned for 2016.

Here are a few more extraordinary studies from her website. 



Do go and have a browse, and then make a note to look for the book.
More details can be found HERE or on Wikipedia.


More floral posts shortly! Until then, I hope you're all having a wonderful 2016!

News on the Duchess of Devonshire, Pierre Frey and Belmont House

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SOTHEBY'S AUCTION OF THE PERSONAL TREASURES 
OF THE DUCHESS OF DEVONSHIRE

One of the most anticipated auctions this year is Sotheby's forthcoming auction of the personal items of one of this century's most remarkable women, Deborah, Duchess of Devonshire. It seems strange to think she's gone, after such a long and extraordinary life as one of the legendary Mitford sisters, and even stranger to think that her beloved things are now being auctioned. But she was so adored by the public, and if some of the contents of her final home The Old Vicarage at Edensor on the Chatsworth Estate can be sold to raise money for estate of Chatsworth, why not?

I always regret not meeting her before she passed away. A contact at Heywood Hill bookshop in Mayfair (which the Devonshires bought in recent years, in order to save it) kindly said he would make arrangements for me to visit (it was for a forthcoming book on gardens, one of the Duchess' passions), but in the end she wasn't well enough. A friend of mine in the US dated Elvis for the briefest of periods (she was very young at the time!) and I had some great stories about Elvis to tell her (another of her obsessions). But it was not to be. I probably would have been too shy to converse much anyway. She really was one of the most interesting, most inspirational businesswomen of our time.

The Financial Times (FT) has recently published a wonderful piece about the sale here. And Sotheby's has another, smaller, article about 'Debo' (as she was called) on its website here,as well as a glimpse at a few of the pieces going to auction here.   The sale includes exquisite jewels (some gifted to her by her husband and his parents), a rare copy of Brideshead Revisited personally inscribed by her friend Evelyn Waugh, plus fine and decorative art, and (something I'd love to view) the contents of Duchess of Devonshire’s library.

Here are a few pre-sale photos and pieces from the auction, from Sotheby's website:




The collection mixes high-end and low. There are many personal photos, including the one above of the Mitford family, priced at a reserve of only a few hundred pounds. But there are is the Duchess' jewellery, including a Chanel camellia (£400) and a pair of aquamarine-and-diamond clips (£2,000), and a book of John F Kennedy portraits (£1,500 -- £2,000) signed by the former US president with the sign-off 'L.O', a reference to the sisters’ habit of calling him 'Loved One'. (JFK was a close friend of the family.)


More details of the sale, including the pieces in the photos above, on Sotheby's website.

The auction is at Sotheby's London, March 2, 2016, with pre-sale viewing from February 27 -- March 1.



BEAUTIFUL BELMONT HOUSE: 
ONE OF THE MOST POPULAR PLACES TO STAY IN ENGLAND

One of the most popular places to stay in England isn't a hotel but a small, relatively unknown Landmark Trust property known simply as 'Belmont House'. It's an exquisite, pale pink, 18th-century, Grade II-listed villa in Dorset that was once owned by businesswoman Eleanor Coade and more recently the author, John Fowles, whose books include The French Lieutenant's Woman. 

The Landmark Trust has spent several years carefully restoring the house, including the Victorian observatory tower, with hatch and revolving roof, and the garden leading down to the beach, and has opened it up for short stays. However, it's proved so popular that the earliest available booking is now mid-2017. (NB: It's incredibly inexpensive; the villa sleeps 
8, and 4 nights is £640, or just £20 per person, per night.)

For those who would love to see it but can't wait until 2017, there is a rare Open Day on the weekend of Saturday 13 and Sunday 14 February 2016 , from 10am to 4pm each day. No booking is required.

More details on Belmont can be found here. It looks beautiful.


MAISON PIERRE FREY EXHIBITION 
AT PARIS' MUSEUM OF DECORATIVE ARTS

The first major exhibition of French textile house Maison Pierre Frey since 1935 opens at the Musée des Arts Décoratifs in Paris this month. The show features many of the famous fabrics produced by Pierre Frey as well as the stages and techniques involved in creating and producing a textile, from the sketch to the finished product. It's set to be a fascinating show about fabrics, but it also covers wallpapers, and how they're conceived, created and produced.

 Knowing Pierre Frey, there is certain to be awealth of patterns, colours and information on display.


TISSUS INSPIRÉS: PIERRE FREY is  at the
Musée des Arts décoratifs from 21 January until 12 June 2016. 

More details can be found  here.

NEW BOOKS AND OLD LIBRARIES

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I would like to apologize for the radio silence, and to give you a little update from our small corner of the world. Even though it seems very quiet and ordinary at times, bounded by books, work and deadlines, and softened by travel, friends, family, gardens, and a few fulfilled dreams too.



One of these fulfilled dreams has been a writing project that's had a five-year gestation period. (Which is not long for a biography, but very long for me!) It's called THE PICNIC, although some of you are already aware of it, having followed the progress of it on this blog. It's an illustrated biography of Lady Joan Lindsay, the elegant but enigmatic author of the bestselling novel Picnic at Hanging Rock.  It's part biography, part essay and part analysis, and yes, we DID unearth the secret to the mystery. That's what took five long, research-intensive years!

I have to confess that, at one stage, I thought this writing project would never end. Information, leads and insights kept trickling in from kind readers and generous strangers all over the world. But in hindsight, these contributions were what made this project such a special one to work on, and I'm deeply grateful that we've had so much assistance from those who knew the Lindsays personally.




After three publishers vied for the book, the highly regarded publishers Hardie Grant made a offer too good to refuse. (I would have been happy to go with the other two publishers, as I know both women and they're lovely people.) I'm pleased to say that the illustrated biography of Joan Lindsay and the story behind Picnic at Hanging Rock will be published in October / November this year (2016).  It's a beautiful story. I still tear up reading the chapter about Joan Lindsay's last year. So I hope you all love it, too.

These pages are only mock-ups so they won't be the final page designs, but they do offer a glimpse at the wonderful people who punctuated Joan and Daryl Lindsay's private world. Sir Laurence Olivier is pictured above, wearing Joan's gardening hat in the couple's walled garden of 'Mulberry Hill', while the photo above that shows Sir Keith and Dame Elizabeth Murdoch (Rupert Murdoch's parents), Joan and Daryl's close neighbours and friends for more than half a century. 

The story behind THE PICNIC is a truly remarkable story and I wish I could tell you more but it's embargoed until Hardie Grant release further details later in the year. For now, I'm very happy to leave it in their capable hands, and move onto another terrifyingly ambitious book for Rizzoli New York, which is all about gardens: a refreshing shift from the Edwardian era and all its glamorous spirits and mysteries!





AND A FEW MORE BOOKISH THINGS...

In between all these books, I've been taking the time to remember old books. Old stories. Old memories. This is because my mother is moving out of her large house in the country to a smaller place and our family has been helping her move.  I was coping surprisingly fine with it all until I saw Mum and Dad's study, which is being emptied of all their books. It's funny how things like that can make you sentimental, isn't it?  We may cull our libraries but the nostalgia for the stories we've read in them will always remain. So here, on the eve of Deborah, theDuchess of Devonshire's great estate sale at Sotheby's London(Oh, for all her garden books! I'm going to attempt to put in a few pathetically low bids...), are a few more bookish things to entertain you.

PS I'll be back to Instagram soon! It's been a big few months.



A GRAND LIBRARY RESIDENCE TO RENT IN PARIS

One Fine Stay, the international accommodation agency that's much like an upmarket Airbnb, has released a coolly elegant new residence to rent in the heart of Saint-Germain-des-Prés in Paris. 

Its key features are not its French doors and its Instagram-worthy vistas over grey Parisian rooftops, but its grand, Neoclassical library and its all-white salon, both pictured above. Beautiful, non? And large enough for the whole family to be happy.

More details are this grand Parisian library apartment at on One Fine Stay's website at www.onefinestay.com 
Or here -- LINK



A WRITER'S GARDEN

I love the writings of author and garden columnist Anna Pavord, who received worldwide acclaim for her bestelling book The Tulip, but who had been penning moving and memorable pieces long before then. 

There is a gorgeous video on her garden, which gives her so much literary inspiration, on the link below. There are some other lovely videos on the same site, too, including the Duchess of Devonshire's garden at Chatsworth—all worth a look. 



WRITERS' ROOMS

There was a joyful piece in the New York Times recently about the rooms in which authors work, including the beguiling study of bestselling author Jeanette Winterson. I love the enormous, light-filled artist's studio above. What an inspirational place to work.




LIBRARIES THAT FORM THE CORNERSTONE OF BUILDINGS

We've recently purchased an off-the-plan apartment in a quietly sophisticated new project called OPERA, which is located on St Kilda Road, a leafy boulevard in Melbourne. We're not yet moving from our semi-suburban life in the greenbelt area on the edge of the city, where we can ride our bikes in the countryside and be close to my mother, who will need us in years to come, but I am certainly excited about the idea of having a city pied-à-terre again! What most attracted us about OPERA was the enormous Library downstairs. That, I think, was even more appealing that the residents' Wine Room, the Winter Lounge (above), the garden terraces, the restaurant, the pool and gym, and the glamorous navy-and-marble interiors of the apartments.

I'm just hoping they fill the library with good titles. Wouldn't it be a cosy place to entertain clients or friends?



THE BOOKSHELVES OF A BESTSELLING AUTHOR

Do you read The Style Saloniste? It's a great blog written by former Vogue Living features writer-turned-author Diane Dorrans Saeks,  who now lives in the US where she's written many bestselling design and architecture books.  LINK HERE  One of her recent posts was on her extensive library, which has some of the most interesting design titles I've ever seen. (I was touched to spot a few familiar books among them.) She often does posts on her enormous library and always gives recs for great books. Some of her favorites are from publisher Persephone, which discovers old novels and re-releases them. If you haven't yet discovered Persephone, do look at their website: the titles alone make for humorous reading.



A FASHION TAKE ON LIBRARIES

I love how Net-a-Porter's magazine The Edit recently chose a library in which to do a fashion shoot with actress Dakota Johnson.  The backdrops were as charming as the clothes. 



A LIBRARY SUITE TO LINGER IN

My long-suffering partner is joining me in Europe this May, while I'm there to shoot gardens (we're also trying to plan stopovers enroute; all very complicated for this travel organizer!), and I'm trying to get him to agree to one night in this splendid place: the Library Suite of Blakes Hotel in South Kensington. 

Few people know that this exists; even the celebrities who check into Blakes don't opt for this room. It's a real secret in London; an enormous hideaway decorated with shelves and shelves of books. 

Now Blakes Hotel has lots of design and architecture books scattered around its foyer and rooms anyway, but I can't imagine anything nicer than actually sleeping in a library. 

I've always loved Anouska Hempel's interior design work, particularly the British Colonial antiques and other Asian elements she incorporates from the Far East. It reminds me of the romance of travel. And how often can you say that about modern hotels?



AND THE DECAYING GRANDUER OF A LONG-FORGOTTEN LIBRARY

There was a lot of media late last year about this extraordinary place, which hides a grand but decaying library. It's called Berkyn Manor and it's the former home of poet John Milton who wrote Paradise Lost

The once-elegant mansion has been empty for three decades -- the last inhabitant died 26 years ago at the age of 96 -- but the rooms are still filled, rather eerily, with furniture, and the library is full of books. As photographer Josephine Pugh described it: “The house was so full of personal effects that it had an eerie stillness without the owners being there. Nowhere was this more evident than in the large, first floor room which housed an untold number of pictures and objects."

Apparently there are plans to restore the mansion and perhaps develop it as a residential estate, but let's hope the books are saved before all the looters get in and run off with the first editions... (NB There is now security around the premise, but many fear it's too little,  and has come too late.)

Let's just hope somebody saves those gorgeous, gorgeous book cabinets.

Celebrating Flowers, London and Life

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I'm a little swamped with work at the moment, but they're all beautiful projects, so I dare not complain! One of the lovely projects I've just finished photographing and writing is a new guidebook about London, called LONDON SECRETS, which is to be published by my old employer, Images Publishing, later this year. It's designed to be a companion to the bestselling PARIS SECRETS -- details here. London is going through a huge design revival at the moment, and it's always a joy to return to this city, which seems to look beautiful regardless of whether it's drizzling and grisaille grey or shimmering under silvery sunshine. 

I'm now working on a gorgeous garden book for Rizzoli New York, which involves shoots in the UK, France, Italy, the US, the Caribbean and other destinations; all of which need to be done by June. So if the blog and Instagram posts are sporadic, that's why, and I hope you'll forgive me. 

As compensation, here are some glorious garden bits and pieces to celebrate the start of spring in the Northern Hemisphere. (And a few travel tips for London, too!)





LONDON -- NEW SPACES AND PLACES
(From the new LONDON SECRETS book, published by Images in late 2016)

I love London. It's my second home. But the city is changing so fast at the moment that it feels like there's some swanky new thing going up every week. Some parts of it don't even look like London! Have you seen the changing skyline along the southern part of the Thames? Of all the new architecture appearing in London, some of the most exciting buildings are the new hotels, which seem to be sprouting like spring bulbs at the moment. Two of the most talked about are the Hotel Costes on Sloane Square (still to break ground, but not far off), and a new hotel planned by bestselling writer Alain de Botton called The Philosopher's Hotel. The latter project is tucked away in the serene, leafy streets of Hampstead, and is being billed as "the thinking person's hideaway". Spaces include a library (which Botton has dubbed 'Keats' Living Room'), a study (naturally called 'Freud's Study'), and an art studio, named after Constable. (You don't want to turn up with a low-brow book here!)

If you can't wait for these two boutique hideaways to be finished, there is a new, superbly named hotel called Batty Langley's, which is the third hotel from the gentlemen behind the equally quirky Hazlitt’s in Soho and The Rookery in Clerkenwell. The theme was inspired by the eccentric English garden designer and writer Batty Langley, who was famous for producing 'patterns' for Gothic structures, including summerhouses and garden seats, in the mid-18th century. He was particularly fond of cabinets de verdure, but all his garden designs were popular. His book New Principles of Gardening, in 1728, was a surprise bestseller. Even George Washington was a fan. There are likely to be many fans of this new London hotel, which is arguably one of the most charming retreats in the entire city. 


There is also a newbie in Notting Hill -- The Laslett Hotel (although I was a bit underwhelmed by it), and another cutie in Marylebone, the Zetter Townhouse in Marylebone, which is sister to the much-loved Zetter in Clerkenwell. The latter is probably the best bet for those who love textiles, antiques, books, and beautiful rooms, although its location -- right in the middle of Marylebone's magnificent shopping quarter -- is pretty irresistible too. Like Batty Langley's Hotel, The Zetter Marylebone is modelled on a character, only this one is fictitious gent called Uncle Seymour. The idea is that it's meant to represent the London townhouse of a well-read but slightly eccentric gentleman, whose books and antiques are all still as they were when he resided here. (It's a tradition: the sister Zetter in Clerkenwell was the townhouse of 'Great Aunt Wilhelmina'). There's an extraordinarily beautiful restaurant / bar called 'Seymour's Parlour', which is cosy and claret colored, and filled with things that look like they should be in the Soane Museum. The best suite is the Rooftop Apartment with its own terrace, outdoor bath and an (indoor) bathroom decorated with an enormous vintage map -- all mad but so fantastic too!


As for horticultural havens, there are a few of those in this new book. My favorite new discoveries include the Isabella Gardner Plantation in Richmond (stunning azaleas in spring!), and Duck Island Cottage in St James's Park. (There is a fantastic story behind this cottage; too complicated to include here, but do look it up if you love gardens and history.)


EIGHTY, AND STILL ELEGANT IN WELLIES...

Speaking of London, and gardening, and all things charming and quirky and quintessentially British, it's fantastic to see that Jo Malone's new spokesperson is the eighty-year-old model and gardening cover girl Gitte Lee. (Christopher Lee's widow.) She's so beautiful. Look at her, with her three hats, her silk scarves (she's wearing two, just to be sure!), and her diamond brooch. What glamour! 

She's also the perfect person to spruce the company's new limited edition collection of fragrances, 'Herb Garden' , which are designed to be the best kind of casual scents. The descriptions alone make you want to try them --'Lemon thyme crushed in soil-covered hands; cool earth encasing ripening carrots and fennel; the aromatic artistry of herbs -- verdant, crisp, juicy and sweet...' Just the thing for weekend spritzes.

www.jomalone.com


MAIRA KALMAN'S ILLUSTRATIONS

It could be argued that Jo Malone's team has taken inspiration for the above photo shoot with Gitte Lee from Rhoda Birley's famous photo in the fantastic book Garden People: The Photographs of Valerie Finnis  (Thames and Hudson). 

Many gardeners know about this book and the colorful characters in it (Rhoda -- Lady Birley -- was shot in her garden at Charleston, in Sussex), but what's interesting is how it continues to inspire people -- and photo shoots -- years after it was published. 

I recently came across these sublime illustrations by New York illustrator Maira Kalman, who loves to paint gardens and gardeners, and perfectly captured Rhoda (above) in her now-legendary gardening outfit. 


Maira Kalman also painted an exquisite study of Sissinghurst's garden (above).


Maira is now so highly regarded that many people are commissioning her to do books and magazine covers. The New Yorker has been asking her to design their covers for years. (This week's issue of The New Yorker; a pink-hued, petalled study of a green-mustached man to celebrate the advent of spring, is by Maira.)


Here's one of her spring covers here --

For more information on Maira Kalman, there's a TED talk here -- The Illustrated Woman. Or there are lots of articles on various sites around the Net.



BEAUTIFUL BOOKS, NEW AND OLD

There are some gorgeous books being released this year, including an enormous tome of all of Karl Lagerfeld's theatrical catwalk shows forChanel, published in May (LINK HERE), and a new Thames & Hudson title called Floral Patterns of India-- a must if you love design (and India!). 

However, I've been quietly buying a lot of vintage titles, as much for their charming covers and design as for the stories inside. 

The favorite so far has been Vita Sackville-West's English Country Houses, which she wrote while London was being bombed during the Blitz, and entire areas of southern England were being destroyed. It was her hymn to a way of life that was fast disappearing, not just because of the war but because of the changes that were taking place in society. 

Beverley Nichols' books are well worth reading, too -- although perhaps start with his biography first, to better understand him. Warning: Once you start reading his books, you'll find it difficult to stop!


GARDENS ILLUSTRATED -- AND VITA'S LOST ROSES

One of the best magazines in the world is Gardens Illustrated, the beautifully produced UK publication that's also sold elsewhere in the world. The photography is always superb, and the articles always feature under-the-radar gardens, interesting landscape designers and gardens, and beautiful flowers and plants. 

The latest issue, No 229, is a special edition that features an enthralling story written by Sissinghurst's head gardener, Troy Scott Smith, about Vita Sackville-West's lost roses.(Released Feb/March in UK; March elsewhere, including Australia.) 

Vita Sackville-West was famous for her roses. And when she noticed that many cultivars and species were dying out across England, she made it her mission to save and protect as many as she could. Unfortunately, of the 300 roses that she saved at Sissinghurst, only 100 were still alive in 2013, when head gardener Troy Scott Smith took over the estate. Cognizant of Vita's horticultural legacy, he took it upon himself to find "Vita's lost roses" and reinstate them into the garden. He used Vita's diaries and notebooks to identify where the roses had been in the garden, and what their names were, although head gardener Jack Vass' detailed garden plans were also helpful. Sadly, some of the roses seemed to be lost forever, but Troy tracked down more than 200 of Vita's original plants and brought them back to Vita's beds. 

Gardens Illustrated has a lovely story on the search for the lost roses, as well as four wonderful pages showing 44 of the best roses grown in Vita's garden. (And also specialist suppliers where you can source rare roses.) 

If only Vita were alive to see her rose beds restored to their original glory. She would no doubt be very pleased.

Link to article HERE.

Snapshots from a Tour of Homes and Gardens around the World

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If you follow my Instagram feed -- LINK, you'll know that I've been living out of a carry-on suitcase for a while, travelling around the world to photograph gardens, houses, and cities for several new books. I'm now home for a few weeks, and I have to say, after endless airports, being home has never made me so happy!  For those who aren't on Instagram, here are some of the places and spaces I've been privileged to have visited. Many of them are open to the public (some every day; others only on a few days each month or year), and so if they pique your interest do bookmark their links. That's the best thing about social media: discovering all these fantastic destinations. I'm back on the road in late July, so feel free to follow on Instagram. Wishing you a wonderful week, wherever you may be. 




ITALY (LAKE COMO)
Confession: In between all the books and work, I've been trying to design a line of luggage. (A long-held dream after I lost a favourite Armani jacket to a toiletry spill.) Part of the R&D has been in Milan, where elegant bags are a way of life. These pix are from a research trip to Como, squeezed in between photo shoots in Milan, although the highlight of the day was not the textiles but a fleeting visit to the famous Villa del Balbianello. I wanted to do a formal shoot of this garden for a future book on Italy, but the rain was relentless, so it turned into a tourist visit -- which is often the best way to see a place. In fact, rain makes you put down the camera and really see the landscape with your eyes.  Unlike most of the other villas on Lake Como, Balbianello is set on a promontory, so its garden has been created from curving paths and magnificent views, rather than long, formal, Italian-style allées. The best way to reach is by ferry to the pretty village of Lenno, then a walk along the waterfront and through the villa's private parkland (rear gate open Tues/Sat/Sun only). Alternatively, the water taxi, although pricey, offers magnificent views of the villa from the lake.  It's one of the most famous villas in the world and remains one of my all-time favourite gardens. Even in the rain.  www.villabalbianello.com



WHERE TO STAY: www.relaisvillavittoria.com, a romantic hotel at Laglio, right on Lake Como. Or its neighboring estate www.villareginateodolinda.com -- just as beautiful.

WHAT TO READ: The just-published Gardens of the Italian Lakes (May 2016).




ITALY (PORTOFINO)
I've always wanted to visit Portofino after seeing the film 'Enchanted April'. So we squeezed a weekend here for a romantic escape and this was the view (middle pic) that we opened our window to at 6AM, as the sun rose over the Italian Riviera.  Even though a posh wedding had pulled into town (the father of the bride had paid for an airline to transport all the guests), the gentle port was still idyllic, especially on Sunday when the 200 wedding guests all wore white for the after-party in the village square! Leaving the partygoers, we hiked along the coast to the glorious monastery garden at Cervara Abbey (bottom right), which is open once a month, and then later walked the trails and terraces behind the castle to peek into the villagers' veggie gardens. I don't know which was more beautiful: the abbey's parterre, or the tiny potagers planted up the mountain? If you've avoided Portofino so far, do see it. The romance clearly worked because it's now my favourite place in the world.

WHERE TO STAY: The Hotel Piccolo is reasonably priced, and has its own cove for swimming. Try to time your visit for when Cervara Abbey is open ( www.cervara.it/en ); the garden (bottom right) is rated one of the best in Italy.



PARIS
A night's stopover in Paris was just enough to race around and see the latest places. My favourite was Tory Burch's new and much-talked-about flagship boutique on the Rue Saint-Honoré. It's designed with a coolly sophisticated colour palette that cleverly references Paris' famous architecture and sky. (Even the pale blues seem to match Paris' famous doors.) Its designer Daniel Romualdez (who lives in Bill Blass'former home -- LINK) is adept at creating spaces that feel luxurious while still being understated, and his work has made this beautiful boutique a must-see for design fans, whether you buy anything TB or not.  412 Rue Saint Honoré, Paris.

WHERE TO STAY: The stylish new Hotel Providence, 90 Rue René Boulanger, www.hotelprovidenceparis.com Or the classically beautifully Hotel Castille, next to Chanel at 33-37 Rue Cambonwww.castille.com/en



PROVENCE
If you ever get the chance to see the South of France in late April, grab it, for there is nothing like Provence in spring. The light, the flowers, the fragrances, the flavours... I always feel fortunate when I come here, and the four days I spent in late April was no exception. I shot two remarkable gardens for forthcoming books: Le Louve in Bonnieux , and Pavilion de Galon in Curcuron.  The former garden was designed by Hermès' former head of design Nicole de Vésian, and is a spectacular green and white garden designed to look like a tapestry. It's still private but it's open to the public, although you need to book a tour through the website — www.lalouve.eu (And if your French is rusty, like mine, just use Google Translate to convert your email before you send it; it's courteous  to write in French and their reply will be quicker.) La Pavilion de Galon, which is nearby, is a former hunting lodge that's now an exquisite country garden done entirely in purples and blues created by noted French photographer Guy Hervais and his beautiful wife Bibi. You need to stay there to see it, but it's worth it; wandering the enormous iris garden at first light is an experience I'll never forget. The garden is best in either mid-spring, when it's blanketed in irises and wisteria, or in summer, when all the salvias are out. The landscape in this part of Provence is truly extraordinary; gentle roads meandering through villages and around mountains, with views that make you want to stop the car at every turn. No wonder Peter Mayle has returned here to live.

WHERE TO STAY: Pavilion de Galon www.pavillondegalon.com



LONDON
For two brief few weeks in May and June each year, London erupts in flowers. Streets are garlanded with embroidered trims of pale pink and purple wisteria, front gardens explode with roses, and of course the huge Chelsea Flower Show pulls into town; like a giant scented circus. Some of the best places to see gardens, particularly the wisteria, are the little streets and mews lanes around Launceston Place, although Notting Hill and Chelsea are good wisteria-hunting grounds too.  

I have to admit I love wandering the streets of Chelsea, Pimlico and Kensington in May, where the flower-filled boutique windows are often just as good as anything you'd find at Chelsea.  Of course, the famous flower show is still a great insight into the newest horticultural trends, but it's increasingly impossible to see (or shoot) the gardens with the crowds, and the ticket prices have skyrocketed to the point of ridiculous. A better option is to grab a map of all the entrants in either the Chelsea in Bloom or Belgravia in Bloom festivals (usually available from any store with flowers out front), and do your own free walking tour. Many streets, particularly those in Pimlico, are a veritable festival of petals. Furthermore, some boutiques offer fantastic classes.  This year, David Linley put on a willow weaving workshop (above), to match the giant willow displays that were in front of his store. You can see easily why these various fringe festivals (there are several others in London at this time beside the Bloom ones) are overtaking the Chelsea Flower Show in the popularity stakes.

WHERE TO STAY: My favourite London hotels are still The Pelham (Kit Kemp's interior design without the Firmdale price), The Ampersand, and Blakes (opt for the Designer Double rooms),  which are all in South Kensington and thus close to the museums, parks, and bookstores and fabric shops of King's Road. However, the newly renovated Flemings in Mayfair (above, with green banquettes), is a pretty and ideally located bolthole for those who want to be closer to the West End. www.flemings-mayfair.co.uk


THE COTSWOLDS
If you go to the Cotswolds a lot, you may think you've seen it all. But this trip I discovered several places I never knew existed. One was Chastleton House. Scene of the BBC series Wolf Hall, it's a perfectly preserved Jacobean mansion filled with extraordinary period rooms, many featuring superb tapestries and furniture. But the most fascinating thing about Chastleton is its families. Each generation became poorer and poorer until the last owner lived in just one room. But the lack of modern updates meant that poverty actually preserved the house. (There's a wonderful article here.) Some critics feel that it's a bit too 'lost in time', and that perhaps a bit of furniture polish and some flowers wouldn't go astray. But I saw only beauty and dignity and grace: a house that has lived a thousand lives and is still looking fine for her age. Just look at this tapestry, which covered a whole wall of the bedroom. Even the long walk to the house, through a pretty field, was part of the charm. Wonderful. Just wonderful. www.nationaltrust.org.uk/chastleton-house

WHERE TO STAY: The Wild Rabbit, a chic hideaway with a famous restaurant. www.thewildrabbit.co.uk Or The Wheatsheaf, an upmarket pub with luxurious rooms  at affordable prices. www.cotswoldswheatsheaf.com Temple Guiting is another swish place; a grand manor with a superb garden, but rates are high. (You have been warned.)



WILTSHIRE AND DORSET
If you saw last year's film Far From The Madding Crowd, and loved the Dorset landscape in which it was filmed, then put this place on your To See List. Mapperton House (above) was the setting for Bathsheba's farm although the best part, the garden, wasn't featured in the film (I would have included it!), probably because Bathsheba's farm was meant to be run down and this amazing garden may have cast doubt on that. Set in a deep valley behind the manor house, it's a formal garden of topiaries and terraces that extends from a stunning conservatory (above) to a series of grand swimming pools (bottom left). I only had an hour here and wished I could have spent longer. It's magnificent. Completely and utterly magnificent. Don't miss the secret corners, including the two-story summer house. http://mapperton.com

WHERE TO STAY: We stayed in a tiny pub in a tinier fishing village called West Bay (where Broadchurch is filmed), but if we returned we'd try and stay at Lyme Regis, specifically Belmont House, which is one of the prettiest places in the south. LINK


NEW YORK
Manhattan is always magic in spring, and on this visit I made sure that I made time to see the New York Botanic Garden, which my friend Lee had said was a 'must see'. Inside the gardens, the Peggy Rockefeller Rose Garden was not only peaking, it was the best rose season they'd ever had. But the famous conservatory was enthralling too, especially the 'Impressionist' garden  that had been recreated as part of the American Impressionism exhibition. A fundraising ball was held the afternoon I was there, and this was just one of the arrangements. If you're heading to New York, jump on a train at Grand Central and head here, before the roses fade. It's a spectacular part of Manhattan than many tourists (myself included) miss. www.nybg.org

WHERE TO STAY: I usually love The Roger or The Nomad, but this time I stayed in a new and very cute boutique hotel called The Gregory, near Bryant Park. Themed around books and fashion, it's  incredibly cheap, and has lovely staff and a superb restaurant next door that's reminiscent of a historic old New York bistro -- high ceilings, huge fireplace, timber panelling, crips white tablecloths.  The suites at the front are best. A truly gorgeous little Manhattan hideaway. www.thegregoryhotelnewyork.com




NANTUCKET
A quick flight from JFK takes you to Nantucket, a dazzling island off Cape Cod that's becoming renowned for great design. This has long been one of my favourite places in the world. This gentleman above is Gary McBournie, a gorgeous designer I've known for years who has a weekender on Nantucket with his lovely partner Bill. (You may have seen their house in the May issue of House Beautiful). There is a lot of new construction going on all over the island, but the influx of money means there's also a lot of beautiful new boutiques and hotels and bistros. Here are some of my favourite new places from the weekend:



WHERE TO STAY: 74 Main, a sophisticated boutique hotel with glamorous rooms www.76main.com Or The Roberts Collection, a recently renovated hotel with several buildings -- I stayed in The Gatehouse -- www.therobertscollection.com The former has better service and better rooms, but is more difficult to book because it's so popular. The latter is cute but perhaps be patient with the 'casual' attitudes. 

WHERE TO EAT: I loved Met on Main (two photos on right) for the beautiful wallpapers and banquettes, but the cutely named 'Cru', a yacht-club-style hangout at the very end of the wharf, had a great vibe, gorgeous staff uniform, and of course that inimitable view that only Nantucket can do.


Then it was back to New York, flying low over the Hamptons, and a final meeting with my book editor at Rizzoli before heading back to Australia. 

More gardens and homes are scheduled for July and August, so do join Instagram if you'd like to follow. And -- as always -- email me for any travel tips -- or just to say hello. janelle.mcculloch@bigpond.com
janelle(dot)mcculloch@bigpond.com

Books, Gardens and other Quiet Delights

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Having just come off the back of a year of intense writing for not one but three huge book projects, I have been spending a few quiet July days in our small garden before the next lot of publishing deadlines and work trips. Like my mother -- who has just returned from seeing some extraordinary gardens and landscapes in Alaska and Vancouver -- I'm always grateful for the chance to be in a garden. I always think that gardening is underestimated as therapy: it's not only beneficial for the weary mind and body but it can also inspire and energise the creative spirit. Out among the new seedlings and parrot tulips, I've been working on lots of new ideas for 2017; some of which -- like my clematis -- may never flower! But hopefully a few of them will bloom. That's the thing with both gardening and life. You never know what's going to emerge in the future...

And so here, in tribute of the northern hemisphere summer and the southern hemisphere spring, is a small ode to the quiet delights of horticulture.

As always, feel free to follow on Instagram here -- LINK


THE SECRET DELIGHTS OF SEEND MANOR

One of the most beautiful gardens in England is the wonderfully named Seend Manor in Wiltshire. I was alerted to this beautiful English estate by a friend, and immediately told a few other garden-loving friends about it, one of which replied straight away to tell me that she knew the owners. (Such is the world of social media!)  Apparently Seend Manor's owners are just as charming and gracious as their glorious flower beds. ( If you don't yet follow Amanda Seend on Instagram, her link is here -- Amanda Seend  ) 

The garden is open to the public once a year, but designer Amanda Bunt has written a moving post to its many horticultural secrets here -- Seend Manor I love the fact that it moved Amanda to tears. 




A CONVERTED GARDEN SHED

Some of you may have seen this gorgeous garden room in the May issue of British House and Garden magazine, but if you missed it, here's the link -- Emma Burns Garden Library  Emma Burns is the senior decorator at Colefax & Fowler, but it seems her talents extend to architecture and landscaping, too, if this remarkable garden shed is anything to go by. Formerly a rustic barn used to house garden tools, it was converted to a garden library-cum-guest-cottage that's also filled with Emma's precious collection of books. One part of it is a mezzanine work area; another an indulgent bathroom. But the most beautiful part is undoubtedly the library, which extends along an entire wall. As Emma explains: 'It used to be a glorified garden shed, and though it seemed daft to have so much space and not do anything with it, we couldn't decide what. Then we moved from our old house in London into a much smaller one and ended up with all these books sitting in storage, so we decided to make it into a book room.' 

It's so lovely that it's a wonder Emma's guests ever leave. Link is here -- Emma Burns' Garden Library



 A GARDEN HOUSE TO BUY

We are constantly looking for the next property to buy and restore or renovate. (Well, I am; my partner just rolls his eyes now, especially when I present him with run-down estates with overgrown gardens and neglected architecture that would take a bulldozer to fix.) While our future home remains a question mark (we may have to move into our tiny investment property on St Kilda Road, after all!), someone will be assured of a extraordinary life with this historic 1854 house and garden called 'Wickham', currently for sale here -- LINK  

It's actually located just around the corner from where we live, in a beautiful part of Victoria called Harkaway. (Yes, we looked at it, but the price tag and heritage overlays were too prohibitive.) It's one of the prettiest properties I've ever inspected, with a grand carriage drive, a coach house, a summer house (a very cute octagonal retreat), pool, stables, even a historic smoke house. But while the outbuildings may need restoration, the house is immaculate, and is a rare example of an untouched floorplan from the mid-1800s. The highlights include a beautiful drawing room, an enormous kitchen with servery, and a gorgeous enclosed conservatory with a brick floor and floor-to-ceiling windows looking out to an elegant arbour. 

Imagine ripping up the worn old tennis court and putting in an Edwardian picking garden? Let's hope it goes to a garden lover.



DOLCE AND GABBANA'S GARDEN COLLECTION

Have you seen Dolce and Gabbana's new botanical garden-inspired collection for A/W 2017? There are dresses imprinted with garden parties, skirts emblazoned with bold palm prints and bags made of pretty wicker. My favourite is the pair of shoes designed like trellis, and the whimsical handbag that looks like a miniature version of the Petit Trianon summer house at Versailles. The collection is a magnificent tribute to the grand gardens of the Victorian era, but it's all done with Dolce and Gabbana's endearing whimsy and eye-catching drama.

www.dolcegabbana.com


HERMES' GARDEN SCARVES

Hermès has also been bringing out a number of exquisitely ornate garden scarves each year. The latest is the beautifully ornate Au Pays des Oiseaux Fleurs (above), which comes in various colourways, but Le Jardin de Leila, which was part of last year's collection (and which I bought to celebrate a special occasion), was heavenly, too. LINK HERE

www.hermes.com




BOTANICAL CHANDELIERS

Finally, if you're looking for something to enhance your sun room, Canopy Designs in the US creates these sublime porcelain chandeliers that look like something you'd find in an enchanted forest. There are various designs, but this is perhaps the prettiest; a tumbling, wondrous delight of intertwining vines, leaves and buds. They also do bespoke work, so you can create your own botanical-inspired lighting. The link is here -- CANOPY NATURE-INSPIRED CHANDELIERS

LONDON SECRETS: A new book for architecture, design, fashion and garden fans

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I'm delighted to write that my new book LONDON SECRETS: STYLE, DESIGN, GLAMOUR, GARDENS(Images Publishing) is being prepared for a publication date that's not far off.  One of the loveliest books I've ever had the pleasure of producing, shooting and writing, LONDON SECRETS attempts to uncover many of the city's most fascinating design destinations, from hidden streets full of extraordinary architecture to memorable National Trust properties, beautiful historic houses, fantastic design-focused museums, glorious gardens, glamorous hotels, wonderful stores selling everything from textiles to antiques to vintage fashion, and intriguing restaurants and bistros.

I lived in London for many years in the 1990s, and still return (with a sentimentalist's heart) several times a year for work. And each time I arrive here, I relish the chance to wander down the cobbled mews and quiet side streets to discover the city's urban treasures. In fact, no matter how many times I visit, the place continues to surprise and delight.  I hope this book offers some great ideas for your next trip, whether you're an architecture aficionado, a design fan, or simply a lover of gardens, textiles, fashion and style.

(Note: One of my fellow authors, Driss Fatih, has also done a London book, so check the author on the cover if you want my book, as there's a little confusion. Driss' book will focus more on architecture and restaurants, while mine covers fashion and style, bookstores and gardens, historic houses, and other glamorous things.)

LONDON SECRETS is due out soon (date TBC), so do look for it in bookshops and online, but in the meantime, here are a few places worth noting:


SOANE BRITAIN

Soane Britain in Pimlico (which is different to the similar-sounding Soane Museum) is a wondrous aladdin's cave of rattan and wicker, fabric and textiles, prints and lamps, and all kinds of furniture, from elegant desks to cheerily chic side tables. But it's far more than just a store of sophisticated, irresistible homewares. Co-founder and creative director Lulu Lyle set out to save many dying British crafts by either buying factories, such as the last rattan manufacturer left in England, or employing British craftspeople to create special goods using skills that go back to the 18th century and beyond. Fabrics are woven in Suffolk and printed in Kent, while furniture is made by blacksmiths, carpenters, upholsterers and gilders in the far corners of England. Even the wallpapers are hand-blocked by expert English printers.  But it's perhaps the traditional crafts, such as iron forging and leatherwork, where you can really see the skills being utilized in modern forms. Lulu commissions unusual leather desks, ornate iron lighting and other unique pieces to reinvent these materials for contemporary living. Alternatively, clients can chose their own materials and finishes from Soane’s in-house collection of timbers, metals, textiles and leathers, using Soane's furniture styles or their own designs.

There's a lovely article on Lulu's own London home here, which is a carnival of colour  --  LINK HERE 
Or you can browse the website here -- SOANE BRITAIN



SECRET SUITES

Many people already know about Firmdale Hotels and their wonderful London hideaways, including Number Sixteen and the much-talked-about Ham Yard. But what isn't as well known are their impeccably decorated suites, which not only accommodate a family or group of friends, but offer interior design that is even more glamorous than the famously sophisticated 'standard' rooms. The Covent Garden's suite (above, with whimsical watering cans), and the Haymarket Hotel's suite (top) are two of the most beautifully designed hotel rooms in London -- many fashion companies book the Covent Garden Hotel's suites to do presentations -- and they're ideal if you need to spread out (such as for a company presentation) or require a kitchen for a long stay.

More details may be found here -- FIRMDALE HOTELS



A HIDDEN HOTEL FOR SMALL GROUPS

If you're after a hotel that offers stunning spaces for small groups to have get-togethers, cocktails or other functions while in London, some of the prettiest are those rooms offered by The Pelham Hotel in South Kensington. The Pelham was actually one of Kit Kemp's (Firmdale Hotel's creative director) first hotel designs, and still reflects her attention to detail in textiles, furniture, antiques and bold patterns and print. The Pelham is perhaps my favorite hotel in London and not just because it posts the fabrics and trims in framed mood boards outside many of the rooms. Its front desk is a welcoming dream of a space, its parlour and honesty bar a relief after a long day of walking the streets for work meetings, and its rooms are quiet havens of luxury for very little money.  Best of all, it's right opposite the South Kensington Station, so you can jump straight on a tube in less than five minutes! Look for the understated facade; it's difficult to see because it's so discreet.

Details here -- THE PELHAM


FLORISTS AND FLOWER CLASSES

New York Times' T magazine recently published a superb story on Rebecca Louise Law's 'flower studio' in London; a romantic, poetic, flower-and-book-strewn space where she creates her famous flower installations. Louise LawBut London is home to a scented plethora of petalled florists, many of whom offer superb classes in everything from flower arranging to event styling. Judith Blacklock is one such florist. Her classes are held in a pretty building in Knightsbridge, but it's her tours of the New Covent Garden Market that you should aim to get a place on. The day begins at 8AM with a long wander around the various traders of the famous flower market, and continues with breakfast and a flower workshop back at the store.

Petersham Nurseries has also started to offer wonderful horticulture courses, with the Scented Gardens being one of the most popular. And in the West End, the Covent Garden Academyof Flowers offers all manner of floral classes in an airy, light, easy-to-reach boutique that's brimming with glorious blooms.




RUSTIC RESTAURANTS FOR GARDEN LOVERS

London is dotted with gardens and parks, but few visitors realize there are also dozens of restaurants, bistros and pubs that are designed for fans of horticulture and greenery. Maggie Jones in Kensington is a lovely little place relished by locals for its cosy, romantic atmosphere as much as its baskets of flowers (dried and fresh). The place is designed to feel like a rustic barn, complete with faux beehive, but the food is anything but rough. Farmhouse-inspired, yes, but it's still delicious and beautifully prepared. ( 6 Old Court Place, London, Kensington, maggie-jones.co.uk)

The Ivy in Chelsea is another that's pulling in the green-thumbed crowd. Athough it's more sophisticated than Maggie Jones, it's no less charming, with menus designed to look like garden plans and a courtyard full of wicker chairs. The interior, meanwhile, is punctuated with botanical prints, and the colour palette is a summery combination of tangerine and green. (195 King's Road, Chelsea, www.theivychelseagarden.com )

Finally, Bourne & Hollingsworth has been popping up on blogs and Insta posts for a year or two now, but it's still sweet, especially the petite conservatory full of ferns and floral armchairs.  (42 Northampton Road, Clerkenwell, www.bandhbuildings.com)




NEW MUSEUMS TO ANTICIPATE

London will see some stunning new museums opening in the next few years. The Museum of London is one, with a spectacular design for the museum's new location that features a monumental domed atrium, spiral escalators, and a sunken garden.  But the two that will really prompt designers and decorators to queue are Sandycombe Lodge and Sir John Soane's home, both of which are currently being restored to their former glory.

Sandycombe Lodge is the home of the celebrated painter JMW Turner, and was, in its time, a blissful hideaway hidden away in the bucolic setting of Twickenham, where the wealthy were building grand homes amid the pastoral scenery.  Twickenham was “a place of experimentation” for Turner; somewhere he could escape his life in London to paint in peace. Turner’s father, a retired barber who was also his son's studio assistant,  also lived at Sandycombe Lodge, and made the 10-mile commute to London daily to open his son’s gallery, initially by foot, then by hitching a lift on a vegetable cart in exchange for a glass of gin. (!)  The house is a small gem that recalls the 19th century in much the same way as the London-home-turned-museum of the architect John Soane does. Soane was a friend of Turner, and visited him often, so it is fitting that Soane's own rural home nearby, Pitzhanger Manor,  is also being restored. An illustration for the restoration of Pitzhanger Manor is above, but work has started on the building and all its glorious interior. The bold paintwork is especially beautiful, so particular attention is being paid to the walls, ceilings and frescoes.

Details on the restoration of Turner's house can be found HERE And details of Pitzhanger Manor can be found HERE .



Finding Inspiration from Grand Travels and Quiet Corners

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A few weeks ago, I went to the Dominican Republic for three days, to look at some gardens for a new book. It was my first time to DR. This is what happened.


The tiny Puerto Plata Airport on the north coast of DR was barely more than a cheery steel band bashing out a welcoming tune, a relaxed chap holding his hand out for $10 for a visa, and a gaggle of grinning Immigration men hanging around the luggage carousel. With no checked luggage, I was off the plane and into sunshine in 8 minutes. (If only Heathrow was like that.) Then it was a two-hour drive down a coastal road so quiet that often the only 'traffic' was a herd of cattle and some carefree chickens. A few hours down the coast, my driver and I finally landed here, at Playa Grande; one of the most beautiful, most extraordinary places I've ever been. It was, quite simply, astonishing. Let me show you.



Conceived by New York designer Celerie Kemble, Playa Grande is a remarkable place -- more of a private estate than a resort -- which is made up of collection of exquisitely designed beach houses that are so sweet, so irresistible, it's as if Tim Burton had gotten together with Karl Lagerfeld to create a Chanel show for the Caribbean. It's also so well hidden that not even the chap next door, whom we asked for directions, knew it was there. I mean, how often do you find a place like that? Where even its neighbours don't know it's there?

Now the architecture here is eye catching, but it's the interiors where the exclamations really begin. Everything at Playa Grande is inspired by gardens and botanical motifs, so lights are shaped like palm leaves, lanterns look like exotic tropical pods, and even the smallest light switches resemble sweet lily-of-the-valley bouquets and new spring buds. Most were made by a local metalworker, and most are done in copper, so that when they age and patina turns to green, they'll look even more like leaves. It's ingenious.


There was also, surprisingly, a lot of timber, which must mean a lot of maintenance given the tropical weather. Even the table 'tassels' were done in timber. Like so:


Another interesting aspect to the estate was that the gardens were allowed to grow wild in some places, particularly over the verandahs, leading to a kind of 'lost in time' feel that didn't feel messy or unkempt but fantastically, memorably romantic.



The second destination was older but no less beautiful; a small hideaway called the Casa Colonial, which was in fact an ode to the grand, colonial hotels of yesteryear. With acres of white louvres and ceiling fans inside and gardens full of tropical palms and foliage outside, it was a dream of a place, and even though I was the only guest there by the end -- hurricane season had emptied the rooms -- it still felt cosy and intimate and elegant and welcoming. 

There were other places on The Reccy List too, but after three days in the Caribbean heat, travelling on remote roads, with few tourists around, and no G&Ts (I never drink while working, and even while not working, but the tropics makes you long for it), I was well and truly ready for something stiff in a tall glass.

So I packed up, took one last look at the beautiful beaches, and boarded the plane back to New York.



Back in Manhattan, the heat was like nothing I've experienced in that city; raw and angry and full of honking horns and irritated people and on-edge traffic. (The queues to get up to Connecticut one weekend were insane!)  But there was one place where calm and civility reigned; The Beekman, an amazing new hotel carved out of an equally amazing historic building in the previously-dull-but-now-buzzing district of FiDi. (Vogue has also moved into this area, as has Cos, so you know it's officially cool.) 

The opening of The Beekman Hotel is one of the year's most anticipated New York hotel unveilings. Its amazing, semi-derelict, nine-story atrium was for years used in fashion shoots and parties (Jay Z had a brill soiree here) until Thomson Hotels swept in and restored it. There are some beautiful images here. The rooms are expensive (and not particularly sexy), but the restaurant by Keith McNally is beautiful, so just go for dinner and enjoy the interior. 




From there, it was off to the cool, green countryside of Sussex in England,  and what a welcome change it was. There were a few garden shoots to look at here too, including one at one of the most beautiful gardens I've ever seen; a gentle, enveloping embrace of a place that reminded me why I loved gardens so much. And how lucky I am to do the job I do.

Owned by two of the kindest, loveliest, funniest, and most gracious men I've ever met, Paolo Moschino and Philip Vergeylen (for those who don't know them, they are the design talents who bought Nicholas Haslam's legendary store / business in Pimlico and made it into their own, and now do the interior design for dozens of extraordinary estates over the world), this country retreat is the kind you always hope to own one day. It's a perfect blend of country house and garden, where both merge into the other in such a way that you're constantly wandering from room to terrace to greenhouse to courtyard to parterre to pool and back to the library and parlour / sitting room again in a happy daze. Look at the blue-and-white library. And this comforting guest room. 



We had a long and memorable luncheon here on the terrace, which lasted for far too many glasses of wine. Paolo and Philip told a very funny (but still respectful) story of how Princess Diana visited one summer's day, which made me laugh until I had a stitch. As they chatted, I was reminded of how nice some people are. Here were two men who have met just about everyone I idolise (they even stay in Oscar de la Renta's old estate in the Dominican Republic), and who didn't need to spend time with a stranger from Australia (who was weary beyond belief and trying desperately to remember her social skills through the haze of jet lag) and yet they did -- and they made it an afternoon to remember. Courtesy and chivalry are not dead, after all.


There were a few more gardens, such as this dahlia-drenched one in Dorset... 


And this gorgeous castle and its grand farmyard and kitchen garden in Oxfordshire... (I loved the onion drying rack the best). 

But that's enough stories for one blog post, I think



I'm home now for a little while -- and how happy I am too, after three round-the-world trips in three months! There are books to be written, edited, expedited through the production process. But there are also beautiful ones to be ordered for Christmas. (Have you seen all the lovely new titles out there?) As well, the new fashion collections for Spring / Summer 2017 are appearing in the media, and they're heralding a glamorous new year. Just look at Jasper Conran's designs, above and below. Thank goodness glamour is still in fashion.


Until next time, happy travels, happy reading, happy frock shopping, and happy gardening, wherever you are.


Thin Places: The Gardens, Spaces, Books, and Beliefs that Take Us Places

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Last week, I learned a beautiful new phrase. While chatting to a publisher friend called Joe about the horrors of politics, we somehow segued (thankfully) to something else entirely: the calming nature of the Italy countryside. "Italy is a place," said Joe, "where you can escape the nastiness of life, and experience sights so magnificent they remove you from the everyday." These Italian scenes are often transcendent, explained Joe. Otherworldly, even.  They transport you.

Then he told me about a phrase that's used to describe these curiously moving spaces and landscapes; these places that take you away from mundanities and disenchantments of everyday.

THIN PLACES.


Thin Places, explained Joe, was an old Celtic term used to describe those spots where the walls between reality and beyond, or between Heaven and Earth if you like, are almost transparent. Places where you're immediately inspired, and beguiled, and often moved to emotion.

A thin space could be as ordinary as someone's garden (see above; story to come), or as sacred as Rumi's tomb in Turkey. (Rumi and his Persian poetry have become popular since singer Chris Martin credited them for saving him from depression.)

Thin Places usually happen when you least expect them -- often when you're travelling. They suddenly appear before you, beautiful and fleeting. They remove you from whatever you might be enduring in life, and remind you that there are better things, both on this side and the other.

A well-travelled friend calls this experience jouissance; a transcendent state that fuses the emotional, physical, and mystical. She says it often happens when she's in a garden -- be it Sissinghurst or the shores of Lake Como.


I experienced a Thin Place last week.

It was 5.30AM and I was driving to a photo shoot at a garden called Picardy, located in the green hills of Gippsland, where I grew up. I thought I knew this area but on this morning the landscape looked different. A strange layer of mist had settled over the hills, giving the place an ethereal feel.  As I drove through the quiet backroads, the hot sun started to burn away the light fog, leaving patches of 'clouds' in its wake.


Arriving at Picardy Garden a few minutes before sunrise, I noticed the mist hadn't yet lifted on this hill, and there was a curious glow to the garden. The light was golden, almost otherworldly.



The owners, Marian and Bryce (now new friends) came out to greet me, but I was too enthralled to come inside for a cup of tea. It was as if Heaven had come down the Earth for a few moments. The light, the landscape, the flowers, the birdsong and butterflies and crabapples. It was pure felicity.


These snatches of pleasure in life are what sustain many of us, alongside family, friends, work, and other quiet delights. In a month when the nastiness that has seeped into society has affected us all, when people are forgetting their good, kind sides and blindly subscribing to the foulness, and then being malicious and mean and downright undignified with their newfound ill will, Thin Spaces take us out of all the dirtiness and drama.

Thin Spaces transport us to a better plane -- "going high", as Michelle Obama famously quoted. They enable us to see the joyfulness of life, rather than the hatred. The radiance and grace of places, and people, rather than the dark side.



Like many friends, including Joe, I have stopped subscribing to nastiness. We all have enough to contend with in life. And you can't work professionally, especially in an international arena, if you practice such manners. (Some of those I've liaised with this year, such as Carolyne Roehm and Paolo Moschino and Robert Couturier, have reminded me just how far good manners and kindness will go in life.)

As Joe said, we need to seek the delights of life -- in places and in people. Even if we don't like a place (I had mixed feelings about Gippsland for decades), or we're not sure about a person, reserving judgement and holding back on criticism may reward us with a sublime surprise. Gippsland's quiet beauty certainly surprised me last week.



(Loved the dovecote potting shed.)


The most amazing thing about this day, and this garden, was seeing this: a rare kind of Robinia that looks identical to pink wisteria. Many gardeners feel this Robinia is the most beautiful tree in the world, and indeed it's accorded that award in many horticultural lists. I've been searching for it for years, without success. 

As Marian and I turned a corner at the bottom of the crabapple walk, we paused in our chatter and I happen to look up, to the sky above. There it was. Dangling quietly above us.


Marian is currently working on a book about her beautiful French / Italian-inspired garden, so there will be more images down the track. 

In the meantime, here are some more books and beautiful landscapes to lift the spirit at this tail end of a very long year.

NB: Articles about Thin Spaces can be found here-- NEW YORK TIMES or here THE GUARDIAN






BEAUTIFUL DESIGN BOOKS FOR YOUR WISH LIST

Amazon has just delivered a box of gorgeous books to our doorstep in time for Christmas. Some are for us; some are for friends. These were a few stand-outs in the pile. 

Mad Enchantment . The story of Claude Monet and the painting of the Water Lilies series. An uplifting account of how painting and gardening save this great artist's spirit at the end of his life, as the war encroached on his bucolic corner of France.

On The Fringe: A Life in Decorating. A fascinating insight into Colefax and Fowler by the decorating company's glamorous doyenne, Imogen Taylor.

The Country House in Literature. A little academic, but good to dip in and out of.

Landscape of Dreams. The first monograph from Julian and Isabel Bannerman, the Baz Luhrmann and Catherine Martin of garden designers.

Signature Spaces: Well-Travelled Spaces by Paolo Moschino and Philip Vergeylen.(last pix, above). I had the great pleasure and honor of having lunch with these two lovely gentlemen in their country house in Sussex this year, so this book is a little special. If you've followed Paolo since his days with Nicky Haslam, you'll know he's an extraordinarily talented interior designer, but it's his partner in business and life, Philio Vergeylen, who's the real surprise -- funny, kind, stylish and  talented at everything from gardening to storytelling. A great book for design fans.




FASCINATING FASHION BOOKS

If you or someone you know loves fashion, these are two sure winners for Christmas gifts. 

Alexander McQueen's Unseen is a behind-the-scenes look at the designer's remarkable fashion collections and catwalk shows. 

And Alexandra Schulman's Inside Vogue is a diary-style account of working behind the editor's desk of UK Vogue, including the enormous cover-up she had to do to keep the cover of the Duchess of Cambridge a guarded secret.



THE BEST LIBRARIES IN VOGUE

A recent slideshow of some of Vogue's most memorable libraries over the years.

Link here -- VOGUE LIBRARIES



BEYOND THE ROCK: THE LIFE OF JOAN LINDSAY 
AND THE MYSTERY OF PICNIC AT HANGING ROCK

Finally, friends and long-time readers know that I've been working quietly on this biography for many years. I've not mentioned it much because there was a change of publishers (in an unconventional move, I decided to return to my beloved publisher at Murdoch, Kay Scarlett, who's now with Bonnier International). Since the change, in May, there have been months of refinements, particularly in the content but also in the design, which is now beautiful!

The story of Joan Lindsay's life and how she came to write her famous bestseller Picnic at Hanging Rock at sixty-nine years of age is a complex story, and we took a great deal of time working out what to include and what to (respectfully) leave out. We also consulted people like director Peter Weir and others who knew Joan Lindsay personally, and they kindly gave their input. 

Now, after five long years of research, and almost a year of production, the biography has gone to print TODAY. (I can't even believe I'm writing that.) Advance copies are due to arrive January, and the pub date is 1st April, so I will post details on this blog and Instagram as well as to all those in my email database. We are also working in marketing, including a doco-ette and a book tour; details of which are to come.  

The biography will soon show up on Amazon and other book sites, so keep an eye out.

Beyond the Rock  is a curious book, which falls somewhere between biography and true crime (hence the title), but Joan Lindsay's life was also curious; curious and mysterious and often remarkable.  So I hope you all love reading about it as much as I loved researching and writing it. 

Picnic at Hanging Rock is a novel version of a Thin Space, and as far as I can tell, Joan certainly intended that. It's beautiful, mysterious, memorable, and utterly otherworldly. Fifty years after it was first published, it still transports us. 

If only politics did that.

Looking Back. And Forward. To Beautiful Things in 2017.

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Well, what a purple bruiser of a year it's been, hasn't it? These past 12 months have really delivered some one-two punches, and they took some fine people down with them. Such as A. A. Gill. And George Michael. And of course Muhammed Ali. (You know it's been a sad year when George Michael, Leonard Cohen, Prince and David Bowie go. But oh, the concerts they must be having in Heaven right now.)

Just when we thought all was lost, however, hope floated in from some unexpected places. Writer Nikki Gemmell felt her year turn in December after she shed her clothes and took an impromptu nudie dip in the Sydney Harbour with friends. Inspired by her thoughtful, reflective column about the day, the dip, and indeed the year (which is here : The Australian newspaper), we decided to follow her salty initiative and spent a glorious week in and around Sydney harbour over Christmas. We stayed in a sublime, two-story sandstone boat house at the secret Forty Baskets Beach in Sydney (link here -- The Boathouse at Forty Baskets Beach), where we kayaked (not very well), swam (slightly better), walked long hikes along coastal paths past grand mansions and green parks (much improved by the end, according to the Fitbit), and read books -- piles and piles of them. Like Nikki Gemmell, we felt the salt soak into our skin and remembered the joy in living simply. Perhaps the sea does that to people? Perhaps all we need is a good dose of salinity in 2017?

Others were similarly sanguine as the year came to an end. Even cynical ol' A.A. Gill was uncharacteristically grateful in his final columns. "I feel very lucky", he said, about his life. I mean, how inspiring.(I met Gill briefly a few times when I lived in London, usually at the Royal Geographical Society's events. He was always surprisingly kind. He also taught many of us journalists how to write. For all his snobbery and tomfoolery, he really did leave a great legacy. Like many, I cried at the end of his final piece in The Times.)

But perhaps my favourite spirit-lifting moment this year was Muhammad Ali's memorial service, which took humour and sadness and weaved them together into a magnificent lesson in how to live -- not a great life -- but a good one. Ali lived both. But it was goodness he advocated. It was goodness that filled that interfaith memorial service in Louisville, Kentucky on June 10th.





For our little household, 2016 was a full year. Work was relentless but rewarding, with work trips and garden shoots in the Caribbean, New York, Connecticut, Nantucket, Provence, Paris, Italy, and the Cotswolds and Dorset. Many of these beautiful places, spaces and gardens (above) can be seen on  my Instagram:  www.instagram.com/janellemcculloch_author. But most of the time, I didn't post a lot: I just put my head down and got on with the job.

As well as work, there were quiet side trips and gentle stopovers, including a visit to Jim Thompson's house in Bangkok: a deeply moving place that's memorable as much for its architecture and garden as its history and mystery.

For the most part, we lived a low-key existence. As the years go on and people become angrier and more critical and the world becomes more unstable, it feels like the right path to take. Perhaps George Michael and Andrew Ridgeley had the smart approach, after all? Perhaps what 2016 taught us is that when the going gets tough, the tough put their heads and work on, head against the wind; quietly; calmly; with not only a sense of humour but a sense of dignity.

Here's to 2017. May it bring you all joyous things.



BEAUTIFUL THINGS TO LOOK FORWARD TO IN 2017



BALENCIAGA AT THE V&A MUSEUM, LONDON

The major exhibition at London's V&A Museum during 2017 will focus on the life and work of Spanish fashion house Balenciaga, which is marking its 100th anniversary this year. Called 'Shaping Fashion', the show will shine the light on this master couturier, who is often called a 'designer's designer' because he was famous for his tailoring skills. He preferred to work with firm, stiff fabrics which gave his clothing a sculptural appearance, hence the name of the show. The V&A has brought together 100 garments and 20 hats, along with sketches, photographs and fabric samples to show not only his craftsmanship and skill but also how his work changed the shape of fashion forever. The exhibition is timely – under the new creative director of head designer Demna Gvasalia, Balenciaga has taken a radical new direction.

Balenciaga: Shaping Fashion will be on show at the V&A, London May 27th 2017 – February 18th 2018.



DIOR EXHIBITIONS IN PARIS AND MELBOURNE

As the House of Dior continues its seventy-year celebrations, there are plans for two impressive Dior exhibitions in Paris and Melbourne this year.  Christian Dior at Musée des Arts Décoratifs  in Paris will run from July 6, 2017 until January 7, 2018, and will focus on the couturier's life and designs, while in Melbourne, Australia, the National Gallery of Victoria will host 'The House of Dior: Seventy Years of Haute Couture', a sumptuous display of more than 140 garments designed by Christian Dior Couture between 1947 and 2017. The latter exhibition will also feature works by the seven designers who have played key roles in shaping Dior’s renowned fashionable silhouette: Christian Dior, Yves Saint Laurent, Marc Bohan, Gianfranco Ferré, John Galliano, Raf Simons and Maria Grazia Chiuri. Highlights include examples from Christian Dior’s iconic spring 1947 New Look collection, magnificent displays of Dior’s signature ball gowns and evening dresses, as well as designs from the inaugural couture collection of the House’s first female head designer, Maria Grazia Chiuri. It will be the first complete Dior collection to be shown outside of Paris, and reflects Melbourne's love of fashion and glamour.

Little news yet on the Christian Dior exhibition at Musée des Arts Décoratifs in July, but no doubt details will begin to emerge in the fashion media soon.

[All images from House of Dior's website]



A WHITE GARDEN IN KENSINGTON GARDENS, 
IN FLORAL TRIBUTE TO DIANA

Opening in spring 2017, 'The White Garden'will be a floral tribute to Princess Diana that will be planted in the Sunken Garden in Kensington Gardens. It has been designed to celebrate her legacy of style, which is also being showcased in Kensington Palace’s new fashion exhibition, ‘Diana: Her Fashion Story’ in 2017. The garden will be planted with an elegant palette of spring tulips and scented narcissi, which will emerge through a carpet of forget me nots. The planting scheme will then change in summer to pots of classic English white roses and cosmos, which will surround the reflective pool in the centre of the garden.

Due to open in April, 2017.


RESTORATION HARDWARE'S FIRST HOTEL

If you're a fan of the Restoration Hardware look, and there are thousands who are, you'll be pleased to know the company is opening its first hotel, in New York City’s meatpacking district. Located at 55 Gansevoort Street, which is right around the corner from RH's flagship store, it will reportedly double as a showroom for the brand. There are also plans for a ground-floor restaurant.

More details can be found here.



GARDENS AND ART IN PARIS

There are several garden-themed exhibitions being staged in Paris this year. From 15 March, the Jardins exhibition at the Grand Palais offers a sweeping overview of landscape painting from the Renaissance to our day, with works by Monet, Cézanne, Picasso, Magritte and others. The Musée d’Orsay is also hosting a nature-themed exhibition in 2017, with paintings by Gauguin, Denis, Klimt, Munch and Van Gogh. Until 24 April, the Pompidou Centre is hosting a retrospective of Cy Twombly, which will feature explosions of colour, tangled skeins and scribblings and scratched-out lines – all of which is said to "reflect a rich interior landscape". And in April, the Musée de la Vie Romantique will turn into an exquisite garden filled with lovely colours for an exhibition on Pierre-Joseph Redout, one of the most renowned botanical artist of all time. It’s an opportunity to admire the delicate watercolours painted by the man who was once described as ‘the Raphael of flowers’.


THE NEW FLORAL FASHION FOR DAHLIAS

Dahlias were big this year. Huge. In every respect. They crowded the pages of garden magazines, and grew to the size of dinner platters.

This was the Dorset garden of English architect Ben Pentreath and his lovely husband Charlie, which I shot in late September, just as the dahlias beds were reaching their full height. Charlie told me his favourite was the Cafe au Lait, but I think I loved the apricot borders better.

One thing's for sure: dahlias are not going away any time soon. Once you see them dancing in the late summer breeze, you'll want to replant your own garden with blousy, cheery blooms.




THE NEW TREND FOR GARDEN-THEMED HOTELS

One of the most delightful places I had the pleasure of visiting for work this year was Playa Grande, in the Dominican Republic. (Some of you may have already seen these images on Instagram.) Conceived by New York interior designer Celerie Kemble, it's an enclave of beach houses where almost everything is designed as a nod to Mother Nature. So the four-poster beds are filled with twisting vines, the  lights and lanterns look like palm trees, many of the prints are botanicals, and even the pool house lights look like tropical 'pods'. It's beautiful and memorable, and it's not surprising that it has inspired other hotels to incorporate more horticulture into their designs.

Another 'garden-enhanced hotel' that I visited this year was the newly renovated Mandarin Oriental Hotel in Bangkok, where the Ambassador Suite (above right) even comes with its own private conservatory overlooking the gardens and river. If you can't afford a suite here, you can still enjoy the hotel's legendary interiors with a drink or afternoon tea in the Author's Lounge (above left), one of the most photogenic bars in the world. Designed with more lattice trims that Versailles, and more wicker furniture and whimsy than Bunny Mellon's garden room, it's an elegant space to lose an afternoon. (I found a quiet corner and caught up on work here: it was a beautiful 'office' that made me wish mine looked just as lovely.)


THE REMAKING OF PICNIC AT HANGING ROCK

Some of you may know that I've spent five years working on a biography of the Australian author Joan Lindsay, who wrote the international bestseller Picnic at Hanging Rock. The biography went to print a few weeks ago, and will be published on April 1, in time for the 50th anniversary of the novel. (See below for advance media.)

(The beautiful image above, of Anne Louise Lambert on set, was a polaroid taken by Joan Lindsay and comes from Joan Lindsay's archives. It appears in the biography along with dozens of other images from the film and Joan Lindsay's life. It was my favourite photo in the book.)

A year or so ago, I began talks with a producer at ABC's Australian Story to do something on the biography -- essentially the "story behind the story". But as Joan Lindsay's life is so complex and multi-faceted (and I hadn't even finished the biography at that stage), the email conversations didn't go further than the briefest outline of it all and an expression of interest. (A friend has done Australian Story and said it's "very intense", and so I'm glad I / we didn't take it further.)  However, Fremantle Media have recently released details on their decision to remake the original film by Peter Weir, so it will be interesting to see how they treat the story. Foxtel's chief executive officer, Peter Tonagh stated in September that it would be a 6 x 60 minute event drama, and, unlike the original film by Weir, will delve deeper into the themes of gender, control, identity and burgeoning sexuality.

In the meantime, I am trying to organize a 'mini video-ette' (very mini!), which will be a kind of trailer for the biography. I'm not sure how far we'll get, with so much other work commitments and photo shoots in January and February, but I have promised my publisher so we shall see! Media for the biography has already begun, with a lovely mention in yesterday's Age and Sydney Morning Herald broadsheet newspapers, in a list of Books to Read in 2017

LINK HERE for the Sydney Morning Herald, or HERE for The Age. 

There were so many great books on this list, including a new biography on Helen Garner, so I'm thrilled and honoured to be featured.  And I'm so grateful to my publisher, Kay Scarlett (whom I knew at Murdoch Books), and my editor Julia Taylor, who took a battered old biography of a long-forgotten author and turned it into a beautifully designed and (hopefully) interesting story of a 50-year-old novel that many of us have never forgotten...

Wishing you all a wonderful 2017.




Books, Beauty, Venice, Manolo Blahnik, and Grand Adventures...

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THE YEAR OF ADVENTURES

I know it's only March, but there's a definite theme emerging for many people this year, and it's one of adventure. Have you noticed how everyone's planning an adventure in 2017? Not just a trip, but a grand journey, usually to some remote or poetic place? Is it to get away from everything that's happening in the world? Or just a reaction to all the cheap airfares and / or extraordinary exhibitions opening this spring? (Dior, Balenciaga, more Dior...)

Unfortunately, our travel budget is tight this year, and I'm tethered to work projects, so I had to find an adventure that was a) affordable and b) easy to get to -- preferably in a weekend. The answer was at the end of a 2-hour train ride from Milan, on a misty, wintry, Friday afternoon in February....

Venice. 

During Carnevale. 

And I can't recommend this adventure enough.


A WATERY, WEEKEND ADVENTURE IN VENICE

If you've never been to Venice, go in February. The costumes, wigs, hats, whimsy, watery backdrop, lagoon sunrises, and languid boat trips up the Grand Canal at the end of each foggy afternoon will lift your spirits faster than a fine prosecco. It is a city like no other. And during Carnevale, it becomes a magnificent mise-en-scène that is unparalleled anywhere in the world. 

Lots of pix and tips are on my Instagram here www.instagram.com/janellemcculloch_author 

But if you're considering going to Venice, the best thing to do is not to plan too much. Just book a pretty boutique hotel, and there are plenty available to choose from. (I stayed at AD Place near Piazza San Marco, which has a wonderful Fortuny-like entrance of fabrics, exquisitely pretty striped rooms, and fantastic free breakfasts.) Then grab a map, tuck it in your pocket, and prepare to get lost amongst the grey-blue canals, because that's the best way to experience Venice. 

See the Fortuny Museum (beautiful, but read AS Byatt's book on Fortuny before you do), have dinner at the Aman Hotel (extraordinary interiors), or just buy a mask and join the crowds with their feathers and fun.




On the Saturday afternoon, having watched the judging of the elaborate costumes in the piazza, I grabbed a Bellini (Venice's famous drink) and sat in the sun in front of the Giardini Reali garden, watching the gondoliers and boats come and go. Dozens of others were doing the same. I'm certain we will all remember that moment, sitting on the steps in the winter sun as the Venetian watercraft went by.

Venice offered the kind of simple bliss that many of us long for in our lives. All is took was a Bellini and a view to make the heart sing. That's what the best adventures are made of, I think. Simple things.



If you're heading to Venice this year, there are some good books out about the city. Skye McAlpine's beautiful book on her life in Venice is particularly lovely -- and she offers some tips to finding the best of 'Secret Venice' here -- LINK. Her Venetian blog is also worth a look -- HERE (Her photographs are stunning.)

There are also new books about Venice from Assouline, including one shot by the talented Australian-New York photographer Robyn Lea. (See post below.)




A SARTORIAL ADVENTURE IN MILAN

In Milan that same week, I finished a meeting early so I decided to slip in another adventure -- this time of the embroidered variety: the magnificent Manolo Blahnik Exhibition, 'The Art of Shoes', at the quietly grand Palazzo Morando.

One of the best fashion retrospectives I've ever seen, this free exhibition (until April 9) spans almost 50 years of Mr Blahnik's collections and inspirations -- including his own grand adventures.

Geographical influences are evident in many of his shoes (his love of Greece, antiquities and architecture certainly shows), but the 'Nature' room is perhaps the most beautiful part of the exhibition. Shoes designed with floral flowers, ivy, leaves, and other embroidered botanical motifs form a kind of romantic greenhouse. Even Manolo Blahnik confesses that he has a soft spot for his garden-inspired designs, particularly 'Ivy', the shoe that he created in 1972 for English fashion designer Ossie Clark.

If you can't make it to Milan, there's a beautiful book to accompany the exhibition,The Art of Shoes, published by Rizzoli.

MANOLO BLAHNIK: THE ART OF SHOES
PALAZZO MORANDO, MILAN. UNTIL APRIL 9. 
(THEN TOURING TO MADRID, TORONTO AND OTHER CITIES.)


A BLOOMSBURY ADVENTURE IN LONDON

In London, I was lucky enough to catch another stunning exhibition, Vanessa Bell: 1879-1941, which chronicles the remarkable life and career of Vanessa Bell, who is finally achieving her own fame away from her sister Virginia Woolf and the rest of the outrageously talented Bloomsbury Set.

The exhibition, at the Dulwich Gallery, isn't large, but is imbued with glorious, Bloomsbury-esque beauty, most notably in the paintings, portraits, letters, still lives, landscapes, notes, drawings, and photos of Charleston and the characters who lived, loved, gardened, painted, fought and loved again in the bucolic charm of the now-famous farmhouse.

There's a great Guardian article called Design and Desires: How Vanessa Bell Put The Bloom in Bloomsbury here -- LINK. And there are several good biographies about Bell, the best of which is Frances Spalding's fantastic book. 

Or look for a copy of the March issue of UK Harper's Bazaar, which has several articles about the exhibition and also Charleston. (They might now be online). The most touching tribute in Harper's was an article by Bell's granddaughter, Virginia Nicholson, who praises her grandmother's "adventurousness". 

Vanessa Bell, you certainly were a quiet achiever.

VANESSA BELL. DULWICH PICTURE GALLERY. UNTIL JUNE 4
LINK HERE -- INFO


A LITERARY ADVENTURE IN MELBOURNE

One of the things I've learned after being in publishing and books for so long is how far a gracious attitude will take you. Gratitude and thank-you emails are also important, of course -- in any career -- but being kind is imperative.I always try and practice kindness, even when situations are difficult, or relationships become strained, or illness / fatigue or other wearying factors test the patience. But I'm far from perfect. And I often fall down under the pressure of stress. But I always get up from the floor, apologise, and keep trying. Because graciousness and kindness are more important than ever. They're the only things that will get us through this turbulent year, I think.

Bestselling author and photographer Robyn Lea is an example of real kindness -- and how it can take you far in life. Formerly based in Milan and New York, Robyn now travels between Australia and the rest of the world for her work, and her photography schedule makes me dizzy!  She is working on 10 (I think? It could be more?) books at the moment, including several Assouline titles. She is the epitome of an adventurous spirit. 

This is her library and work space. Gorgeous, non? 

But when I popped in to see her recently, what impressed me even more than her adventurous spirit was her generosity. She put me onto a contact of hers who is scouting for new stories for SBS, which then springboarded into a meeting next week. Even if it doesn't amount to anything, I was deeply touched by the gesture. 

This is her beautiful new book, Dinner With Georgia O'Keefe. It's out now (Assouline), and is a follow-up to the New York Times bestseller Dinner with Jackson Pollack

Both titles are filled with beautiful photos and delicious recipes, and would make gorgeous gifts!


The Power of Enthralling Stories

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I want to tell you a story. A story about a story.

Several years ago, I was staying in B&B in Provence when I suddenly realized the engaging hostess I'd been happily chatting to for the past two days was the widow of Pierre Salinger, the well-known politician, journalist, and one-time White House Press Secretary to former U.S. President John F. Kennedy. I'd been vaguely aware of the connection before I checked in, but then work and photo shoots took over and I forgot, until I walked into the library one night holding a small aperitif that she'd kindly offered and noticed the photos of John and Jackie Kennedy. It was then that she began telling me a story. About Pierre. And JFK. And what happened the night that Kennedy was assassinated.

As the story unfolded, my overworked brain cleared and I began to realize the significance of what was being discussed. And who my hostess was. And so I listened. I listened for the hour that it took to tell (by which time I had pins and needles and needed to wee!), and as I did so, I realized it was an extraordinary story; the kind of story you hear perhaps three or four times in your life. I was immediately captivated but I was also conscious that it was the kind of story that needed to be saved somehow, so it could be retold to future generations. Of course some stories are not for retelling. And perhaps this was one. But, like most journalists and authors, I am of the firm belief that if we don't save such stories, if we don't archive them somehow, they will be forgotten. And then all these great stories that we hear in distant libraries will be lost in the dust of the footsteps of Old Man Time.

I vowed then that if I was ever fortunate enough to hear another such story, I would write it down.

As a journalist, I hear stories all the time. We all do. Stories that make us chuckle or laugh, or cry, and wipe our eyes, and cry again. I've even heard stories that were so astonishing, so far outside the boundaries of my beliefs, that I could only shake my head in disbelief. But those are the best stories, I think; the unbelievable ones. Because those are the ones that challenge us, and make us think. Those are the stories that force us to contemplate them, long after the last unbelievable word has been said.

I have been working on one such story for the past five years. It's the story behind the story of Picnic at Hanging Rock, that beautiful, quietly haunting novel, which Peter Weir turned into an equally beautiful, equally haunting film. And after five years of research and long nights of writing, it is finally being published by Bonnier Publishers this weekend, on April 2, beginning with a two-chapter extract in the Good Weekend magazine in The Age and the Sydney Morning Herald.

It's such an extraordinary story that I think it might even surpass the JFK story in the Intrigue Stakes.

We are taught that things only exist if they are measurable. If they are not measurable, or quantifiable, we're not sure how to categorize them. But in researching this book, I learned that there is far more to life than what we blithely assume. The story of Picnic at Hanging Rock lies somewhere between the rational and the inexplicable, between reason and wonder, and the story behind it lies somewhere in that strange realm too.

But it doesn't matter what I believe, or disbelieve -- or indeed what others believe, or disbelieve. Picnic at Hanging Rock remains a great story, 50 years after it was first published. And I hope the story that I've written, the biography of its enigmatic, beautiful, complex, clever author Joan Lindsay, is just as enthralling.

I also hope that others will write or record similar stories they hear. Because we need these stories, more than ever before. They are part of our history, and our identity, but more than that, they are places of grace; small sanctuaries amid the shoutiness and sound bites and Snapchat grabs of modern society.

So I hope you'll all record your own life stories one day. And your family's stories. And those stories you hear in a library, in a landscape far away.




JUNE IN BLOOM: Books, Bouquets, Fashion, and Hideaways

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JUNE IN BLOOM

June is traditionally the garden lover's favourite month. It's the time when most gardens, certainly those in the northern hemisphere, are in full floraison. I love this time of year in England, Europe and the US; the roses are in blousy, full-petalled bloom, the days begin early and end late -- usually in a glorious golden light; there are countless private gardens that have graciously opened their gates for charity days, and there are floral borders galore to explore. Even if you're ensconced in winter in the southern hemisphere, there is something uplifting about seeing all the gardenalia on Instagram and in magazines. Gardens take us places. Even if we can't experience them in person, their beauty transports us to a place of grace, away from the pressures and stresses of everyday.




I'm actually on a 'botanical break' at present -- I had to take a few weeks off social media in order to focus on some pressing projects, including a big garden book (above), which has been a joy to work on, despite the logistical difficulties.  I hope you'll love the gardens that we've featured in it, including the stunning country estates of Carolyne Roehm, Jeffrey Bilhuber, and many other celebrated design names.


But I will be back on Instagram in a week or two with some beautiful pix of gardens, grand and small. After a crazy year of deadlines, more deadlines, endless nights of writing and endless days of all work and little exercise, it has been wonderful to get out of the office finally; to go for long walks with my partner and our dogs again, and to catch up with friends over Champagne and laughter and stories galore. (I caught up with so many of them last month, during various events for the biography -- seeing everyone was the best part of the publicity tour.) 

There's nothing like flowers and friendships to make a person appreciate life, I think. I'm deeply grateful for my friends, new and old; for the books we exchange, the cakes they bake (see our 'feast' of an afternoon tea at Picardy garden last month; I didn't contribute to these vegan fantasies but I did make Picardy wrapping paper and bought gifts of books), for the wonderful and often funny stories that are told, and for all the the memories that linger long after everyone has departed.


So here's to June. To travel, flowers, laughter, friends, family, books, and botanica. 
May it be a beautiful month for you, too. 

(All pix above by me, excluding the beautiful image of the glorious iris garden in Carolyne Roehm's country home, which Carolyne has kindly supplied for our new garden book.)


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SUMMER GARDENS TO VISIT IN CONNECTICUT

If you're in New York or New England in June, there are four magnificent private gardens opening their gates to the public on June 17 and 18 as part of the wonderful Garden Conservancy organization.

Bunny Williams'beautiful garden is one, Michael Trapp's another. Both are in Litchfield County, Connecticut. (I will be visiting both of these, so will post pix on Instagram.)

Across the border in Duchess County, in upstate New York, there are two more gorgeous garden that are well worth the drive. Christopher Spitzmiller's idyllic garden (two images above of Christopher's interior and garden above from Christopher's website, shot by Archi Digest) is as pretty as his lamps, while Katie Ridder and Peter Pennoyer's garden has become known the world over thanks to their bestselling book, A House in the Country. (Top image; house with red door).

More details: www.gardenconservancy.org




SUMMER GARDENS TO VISIT IN ENGLAND

If you happen to be in England in June, there are two gardens that are well worth visiting. 

Amanda Lack Clark's garden at Seend Manor (interior and garden shown above) is a sublime country estate in Wiltshire that is so beautiful, many of us follow her Instagram just to catch glimpses of it among the other delightful pix of her life. Seend is having a rare Open Garden event on June 17 and 18; details are on various sites -- Google "Seend Manor" for more. 

Amanda's Instagram (from which came these images) is also worth following -- LINK HERE.

 And down in Kent, Old Bladbead Stud(see the three garden images above) is another magnificent private garden that only is open several times a year, with the next days being June 11 and 25. Details are HERE. Owner Carol also posts photos of the garden on her website (usually weekly in summer), so you can see what's flowering. It's a little-known garden that deserves to be better known. Many gardeners I know say it's one of the prettiest flower gardens in England.

http://www.oldbladbeanstud.co.uk


MY LOVELY LONDON GUIDE -- AT LONG LAST!

I missed the Chelsea Flower Show this year, for the first time in many years, because of publicity commitments for a new biography. However, I loved seeing everyone's pix on Instagram. If you're heading to London this year and need a few travel tips on where to go (shameless plug!) there is a lovely book out called LONDON SECRETS -- link here. It is now in bookshops in London, as well as in the US and elsewhere, and is starting to show up in bookstores in Australia too. (It's also available online.) So if you're going to London this year, I hope you'll consider it -- whether for yourself or as a gift for a UK-bound friend. 

IMAGES PUBLISHING. www.imagespublishing.com



A NEW PARIS HIDEWAY FOR FLOWER AND FABRIC FANS

I adore the look of this new Paris hotel. It's feminine, sophisticated, witty and whimsical, and doesn't seem to have cut the budget on interior design, either. It's called Hotel de Jobo, and it's been receiving lots of well-deserved press for its stunning design. Designed by Bambi Sloan, (who calls herself "part designer, part storyteller"; what a great line to put on your business card), the hotel was inspired by Josephine Bonaparte, Napoleon's first wife and, briefly, Empress of France. Like her husband, Josephine was a bit of a leader, particularly in style and design. She was one of the first to make leopard fashionable, and her love for roses created a craze for them that has not abated since. This hotel has all of her passions and more. It's pretty and witty, and Josephine would have probably adored it!

DETAILS: www.hoteldejobo.paris



A BEAUTIFUL NEW BOOK FROM ALICE TEMPERLEY

Do you follow British fashion designer Alice Temperley on Instagram? No? Well, if you love fashion and flowers, she is one to add to your list. Her account is full of floaty, romantic dresses but where she differs slightly from most fashion designers is that she often posts scenes from her atelier, too: the detailed shots of the embroidery being done are some of the most beautiful  dressmaking images I've ever seen.

Alice Temperley has already produced a book, which was a bestseller (I gave it to my sister-in-law, who loved it), and is now finishing a second one, called Myths and Legends. While the first was all about Alice's life and career, and the challenges she faced, the second gives a more intimate view of the world that Alice inhabits, revealing both practical and sentimental sides of the artist’s creative process. (Images from Temperley's Instagram feed. Alice has her own Instagram, which is worth following too, but the Temperley official Instagram shows more of the designs and collections.)

BOOK DETAILS HERE: Myths & Legends
INSTAGRAM DETAILS HERE: www.instagram.com/temperleylondon


AN INDIAN FASHION LABEL TO LOVE

I first spotted the whimsically named I Love Pero fashion label in Scarlett Jones' store several years ago. Since then, I've seen its fame grow. Stylist Sibella Court also loves it. Designed by Delhi fashion designer, Aneeth Arora, it's distributed in both the US and Australia (I'm not sure about Europe), and it stands apart from many other fashion labels for its intricate use of embroidery, which India is a leader in. if you love textiles, fashion, and particularly embroidery, you will love Pero's collections. (Images left and centre are mine; image on right is from I Love Pero's Instagram.)

INSTAGRAM DETAILS HERE: www.instagram.com/ilovepero


A SHIFT TO PINK

Have you noticed there is a return to femininity in both fashion and interiors? Flowers too. And much of it seems to be driven by the new love affair with a colour that hasn't been seen for years: palest pink.  Or what's been dubbed 'millennial pink'.

I first noticed this pretty shade of pink in The Ivy in Santa Monica(see my image of The Ivy restaurant; first image above), where it was the perfect backdrop to the bright, beachy upholstery and stunning fresh flowers that are always a feature of this place. 

Then  I saw it at Sketch in London, and then at the new Playa Grande hideaway in the Dominican Republic last year (see my images above), where Celerie Kemble has used it sparingly but beautifully (it is the exact shade of the beach in front of the estate), painting shutters and floors, and dressing pillows and cushions and select pieces of furniture. It doesn't look too pink because there are acres of white and aquamarine to offset the sugariness. And of course the lush green of the tropical garden and the blue sky above to offer visual reprieve. But take all the other shades away and it still works, I think. It's tropical, but not over the top. Elegant, but understated.

Then pale pink, or Millennial pink, showed up on the UK Harper's Bazaar's May cover (above; four image from top), which was a sublime design featuring rosebuds entwined into the masthead. (I loved this cover so much, I used it as inspiration for mini chocolates for our biography launch last month; the blues and pinks perfectly matched the colour of the biogaphy.) 


And now I've started seeing this pink in stores, too, including The Rose Street Trading Co (above; second image), which now stocks exquisite vases and boxes, as well as on Instagram, which seems to be showing more and more pink houses -- and pink pieces to go in them. (I can't find where this lovely lantern came from, above. If anyone knows, please tell me so I can credit -- and buy it!)


But perhaps my favourite pink moments have been this gelato flower (above), which is part of a new global ice cream trend that's seeing ice cream sculptured to look like roses (this gelato consists of citrus, stracciatella, mango and raspberry), and this pink wallpaper by de Gourney at Paris Déco Off. Both are utterly sublime.

Let's hope this elegant, enticing, ultra-feminine colour stays around for a little while longer.



FLORAL BOOKS TO BUY

Have you noticed there's a new genre of garden book? It's all about flower farms! 

There are several flower farm books out at the moment but one of the best is by Erin Benzakein, the founder of Floret Flower Farm, and one of the leaders of the locally grown flower movement in America.

Floret Farm’s Cut Flower Garden has equal parts instruction and inspiration, but what you'll really be doing is gazing at all the images, particularly the fields of dahlias. It's a sumptuous book with beautiful photographs that really show the beauty of this heavenly space on the American West Coast.

Her instagram is glorious, too.

INSTAGRAM DETAILS: www.instagram.com/floretflower



HARPER'S BAZAAR IN BLOOM

Have you noticed how beautiful the UK edition of Harper's Bazaar has become over the past year or so? Ever since Justine Picardie took the reigns, it has blossomed (forgive the pun) into an elegant, sophisticated, surprisingly interesting read. The May and June issues are always my favourite for their garden-focused stories. Even the covers, above, are creative, and daring, and have become, not surprisingly, collector's pieces.

www.harpersbazaar.co.uk




AND FINALLY, GARDEN HUNTING; AN ADDICTIVE HABIT FOR GARDEN LOVERS

A lovely friend of mine in the Adelaide Hills, Clare Tomkins, sends me the most beautiful properties for sale, to tempt us to buy them. In turn, I send her gardens that I find online that I think are worth visiting. (Such as the incredible Old Wesleydale in Tasmania, which now has a new orangery, and dovecote but which Clare already knew about and had visited, because serious garden lovers tend to be on top of all the best gardens!)

So... A few weeks ago I found this extraordinary but slightly run-down estate for sale, and before I could email Clare and say: "LOOK!" I had dragged my partner on a five-hour round-trip to the country for an inspection. It had a surprisingly affordable price for a one-acre, 150-year-old estate, but what stood out was the garden -- the most glorious Italianate garden I've seen in years. 

It was very down-at-heel, but the architectural bones were good. There were three or four separate walled gardens, layers of low box hedges to create 'gardens within gardens', and dozens of espalier trees everywhere... Even the antique urns were astonishing. 


My photos don't do it justice -- the light was fading and I was only snapping for our own property files -- so I've attached two of the agent's images immediately above. You can see the two grand old colonial houses on the property, and the four walled gardens that run between them. The owner was almost eighty, and while the beds were overgrown and the herb garden needed a good weed, he had clearly done a superb job of both designing and maintaining this amazing Italianate garden for many decades. 

If only it was closer to the city! 
If only we had the money to buy and restore it all to the standard it deserves!


Wishing you all a lovely June, whatever you may be doing, and wherever you may be. 

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